Lifetime’s first-ever Christmas sequel to last year’s hit movie, Merry Liddle Christmas, Merry Liddle Christmas Wedding once again follows Jacquie Liddle (Kelly Rowland), as she and Tyler try to plan their perfect destination Christmas wedding. Naturally, Jacquie’s plans go awry when her boisterous family intervenes in her planning and her snooty wedding planner quits in protest. While nothing goes as initially planned, Jacquie and Tyler get a Christmas wedding more memorable than they could have ever dreamed.

When oil is discovered in 1920s Oklahoma under Osage Nation land, the Osage people are murdered one by one—until the FBI steps in to unravel the mystery.

After his football career, Ben Beck returned to his Virginia small town and joined the family building firm. His family happiness with wife Lorrie and adolescent son Jessie is suddenly tested by the return of Ben’s first high-school love, Ava Andersson, who visits from Chicago, after a failed marriage, to bury her ma. Ava seduces Ben into reliving their courtship, which she traumatically broke off without a goodbye. Jesse reacts furiously, even backseats his own football scholarship bid, rather pa’s projected ambition, in favor of a writing summer course

Ali and Ceren are two friends trying to make a living by acting. The fact that the theater plays directed by their mutual friend, Burak, is left without an audience and the interviews with the actors, which result in constant disappointment, cause disappointment to Ali one after the other.

Georges has Down syndrome, living at a mental-institution, Harry is a busy businessman, giving lectures for young aspiring salesmen. He is successful in his business life, but his social life is a disaster since his wife left him and took their two children with her. This weekend his children came by train to meet him, but Harry, working as always, forgot to pick them up. Neither his wife or his children want to see him again and he is driving around on the country roads, anguished and angry. He almost runs over Georges, on the run from the institution since everybody else went home with their parents except him, whose mother is dead. Harry tries to get rid of Georges but he won’t leave his new friend. Eventually a special friendship forms between the two of them, a friendship which makes Harry a different person.

A ballet dancer wins the lead in “Swan Lake” and is perfect for the role of the delicate White Swan – Princess Odette – but slowly loses her mind as she becomes more and more like Odile, the Black Swan.

Romulus, a misunderstood musician turned recluse hiding from personal demons in a New York City cave, finds the frozen body of a young drifter in a tree. The authorities, including his police officer daughter, claim the death is accidental. Romulus is convinced the man was murdered by a prominent art photographer but how can he prove he’s right when everyone thinks he’s insane?

Filmmakers James Franco and Travis Mathews re-imagine the lost 40 minutes from “Cruising” as a starting point to a broader exploration of sexual and creative freedom.

Tells the autobiographical story of the director, Dylan Reid, testing positive for Huntington’s Disease. The film follows Dylan as he discloses his diagnosis to his close friends but omits the information from his new girlfriend, Lizzie.

A grieving Connecticut mother temporarily switches houses with a woman in Dublin, Ireland.

Since 2014, France’s restorative justice programmes have offered a safe space for supervised dialogue between offenders and victims. Grégoire, Nawelle, and Sabine, victims of heists and violent robberies, agree to join one of these discussion groups alongside offenders Nassim, Issa, and Thomas, all convicted of violent robberies. Meanwhile Chloé, a victim of childhood sexual abuse, prepares for dialogue with her own agressor after learning he has moved back into town.

In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement (“unrueh”) of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.