In Keskincik, a village situated near the Syrian border of Turkey, a young man, Mahmut wishes to divorce his newly-wed wife. Guilt-ridden, he doesn’t know how to end the marriage. Recently, Mahmut’s sister Zeynep has ended her engagement as well. Resolute to quit the village, Zeynep enrols in an open high school and finds a job in a factory. Against her father’s wishes, Zeynep hopes to leave the village and study at a university. Mahmut and Zeynep become the centre of a genuine conflict in their family and community. As resentments and dilemmas come to light, the film aims to magnify this upcoming generation as they try to escape child marriages and create a new way of life for themselves.

After a whirlwind couple of years, Ali Wong returns to the stage to dish on the highs, lows and surprises of dating post-divorce.

For thousands of animals every year, migrating across Patagonia is the only chance of survival as they return to give birth and raise their young or come home to feed.

For the first time in 35 years, Daniel Lutz recounts his version of the infamous Amityville haunting that terrified his family in 1975. George and Kathleen Lutz’s story went on to inspire a best-selling novel and the subsequent films have continued to fascinate audiences today. This documentary reveals the horror behind growing up as part of a world famous haunting and while Daniel’s facts may be other’s fiction, the psychological scars he carries are indisputable. Documentary filmmaker, Eric Walter, has combined years of independent research into the Amityville case along with the perspectives of past investigative reporters and eyewitnesses, giving way to the most personal testimony of the subject to date.

A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.

Portrait of Jake Bickelhaupt from his underground restaurant, Sous Rising, to his 2 Michelin star winning restaurant, 42 Grams.

When 35 year old stand-up comedian Steve Mazan learned he was dying of cancer, he dedicated the rest of his life to making his dream come true: performing comedy on The Late Show with David Letterman. This documentary chronicles his five-year journey, as he races his own ticking clock to achieve a nearly impossible goal. Hilarious and heart-breaking, Steve brings a brand-new perspective to living with cancer. This is a story that proves it’s not how much time you have, it’s what you do with it. As Steve says, ‘If you stop chasing your dreams, you’re already dead.’

Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.

This documentary places the Bush Administration’s original justifications for war in Iraq within the larger context of a two-decade struggle by neo-conservatives to dramatically increase military spending while projecting American power and influence globally by means of force.

An investigative journalist uncovers the money, influence, and alarming rationale behind covert land grabs by some of the world’s most powerful countries.

Uncover the little-known stories of the first Black pilots, engineers and scientists seeking to break the bonds of social injustice to reach for the stars, including Guion Bluford, Ed Dwight and Charles Bolden among many others.

In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.