For the last thirteen years AJ (Triple H) has been behind bars, convicted of manslaughter for killing a man who intended to kill his best friend, Jack (Michael Rapaport). Now released, AJ wants nothing more than to start a small business and live a crime-free life. Unfortunately, within hours of leaving prison, his oldest and best friend, Jack (Michael Rapaport) involves AJ in an accidental shooting in which a man is killed, forcing Jack to skip town.
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An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
Young police inspector Corinne Levasseur interrogated a dealer without the judge’s consent. Following an indiscretion of her lover, the substitute Berthot, Corinne is transferred to a small town in the North who lives under the thumb of a rich industrialist and his family. He is given subaltern tasks. Intrigued by the strange death of a teenager, she stubbornly leads an investigation that allows her to trace the chain of a child prostitution network in which are mixed a notable and his son-in-law. A young investigating judge decides to investigate the case, but he is the victim of pressure …
An earnest life-coach/author, Thomas Carter, is mysteriously abducted by a deranged client, Angel Sanchez, who delves into Thomas’ teachings and uses his spiritual messages of Karma – action and reaction (Vipaka), against him to terrorize him and his family for their past sins.
Dandy (Cynthia Denny) is a free loving 18 year old girl who has no place to go. Unhappy with her parents and bored with her life, she decides to run off to the big city to try to make it in California. That leads to a series of unfaithful and abusive lovers, posing nude in skin rags, prostitution and more!
In the year 2222, a former drug dealer is kept in a state of hibernation. Reanimated, he tells his story. Leader in the narcotics market, his situation was prosperous until, during a political change, the government legalized its use.
Claire tells the police officer, “It was all Jo’s idea.” But who’s Jo? Jo is the bright spark in Claire’s recently darkened reality; a new friend in an otherwise isolated world. The two young women hit the town to let off some steam-and find themselves in trouble with local law enforcement. In the blink of an eye, Claire discovers that Jo is not what she seems-not at all-and her easy friendship with the lighthearted, young woman splits open to reveal the truth. Luminously shot in black and white, Josephine Doe is a raw exploration of family trauma and mental health that shows the thin line between our realities.
A young man trains in the ways of martial arts to seek vengeance on the corrupt landowner who murdered his family.
Karam, a small-town boy from Mathura, is struggling every day to pay his father’s debt, who has borrowed money from nearly everyone on the planet. On the other hand, he is deeply in love with Pari, whose father has kept the conditions to marry her. To make ends meet, Karam dons as Pooja, which creates wild chaos and a comedy of errors.
Cristine is another sexually frustrated woman with a pre-occupied husband working too hard for their mutual benefit. She becomes employed by a liberated woman and is introduced to a swinging lifestyle. The exposure to sexual opportunities and caring relationships helps her realize that happiness lies with her husband.
Recently divorced Abigail arrives right in the midst of her parents’ chaotic antics. After a lifetime of dysfunctional hilarity, the family – accompanied by an estranged brother – find it within themselves to embrace for one final goodbye.