Friends since childhood, two lonely outcasts longing to be loved meet again. However, they must subdue a bloodthirsty demon residing in one of them.
You May Also Like
A couple fall in love but then the groom discovers that he suffers from erectile dysfunction.
Lee is a world-weary American woman who arrives in an Italian city. Her tangles with hotel staff, incessant smoking and her disregard of the persistently ringing telephone hint at her volatility brewing beneath the surface. Between fitful naps, she wanders the streets, snapping pictures of refugees as if her camera were both weapon and olive branch. Struggling to confront her demons, Lee resolves to help a beautiful young woman in need.
A pair of star-crossed dancers in New York find themselves at the center of a bitter rivalry between their brothers’ underground dance clubs.
During his 50th birthday party thrown by his wife, Remco’s life takes a turn for the worse. His business partners are scheming behind his back to sell him and his former mistress shows up pregnant.
When welfare authorities threaten to take away his little sister, an unemployed Australian reunites his old high school rugby league team to win a competition that could change all their lives.
Valeria is a woman who never looks back, passing from one man to another. But one day everything changes: an ex who made her feel bad in the past reappears in her life.
Sarah seems to have found her calling working in a Liverpool care home where she has a special talent for connecting with the residents. Then, in March 2020, the Coronavirus pandemic hits.
North London band Wolf Alice have had a rise to prominence that might have been bends-inducing were it not for their tightness as a group. In summer of 2015, the deliciously dark, hook-and-riff-filled sound of their debut album, My Love Is Cool, inspired the NME to crown it: “the debut of the decade”. As a measure of their impact, BAFTA-winning filmmaker Michael Winterbottom joined the band on the road, capturing 16 different gigs and daily life backstage.
Ivan Lashin, a young man who lives with his mother in the country and works at home, met director Vitaly Suslin. The young man told the director about his life, they wrote a script together and thus the feature film “Head. Two Ears” was born, in which Ivan played himself as the main character. Russia’s most important festival Kinotavr declared it the best script and the film also received the award of the Russian Film Critics Guild. Now, a few years later, Vitaly and Ivan have made a new film which talks about Ivan’s life after festivals: has he changed, what is he dreaming about?