Features interviews with filmmakers, production designers, writers, editors, actors, and special effects artists regarding “The Kindred.” The release of the film is analyzed, with the endeavor finding a fan base on VHS and cable.
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Meet the Mormons examines the very diverse lives of six devout Mormons. Filmed on location and across the globe, Meet the Mormons takes viewers on a journey into the day-to-day realities of individuals living in the U.S., Costa Rica, Nepal and beyond. From their individual passions to their daily struggles, each story paints a picture as rich and unique as the next while challenging the stereotypes that surround the Mormon faith.
Beginning with Space Invaders in 1978, arcade games began to appear everywhere. By 1982, there were 13,000 dedicated arcade locations across North America. It was the Golden Age of Arcade Games, generating $3.2 billion dollars in 1983. By 1985, revenue had fallen 97%. Atari declared bankruptcy. Arcades closed. Most of the old games were converted or destroyed. A few were packed into warehouses where they remained, largely forgotten, for at least another decade. This is the story of arcade video games, and the generation who grew up in the arcades attempting to collect and preserve their fondest memories.
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In 2001, Lenny Cooke was the most hyped high school basketball player in the country, ranked above future greats LeBron James, Amar’e Stoudemire and Carmelo Anthony. A decade later, Lenny has never played a minute in the NBA. In this quintessentially American documentary, filmmaking brothers Joshua and Benny Safdie track the unfulfilled destiny of a man for whom superstardom was only just out of reach.
A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.
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On 27th July 1986, British stadium rock band Queen broke new ground by playing for the first time in Hungary, a country which was still under a communist dictatorship behind the Iron Curtain.
The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats. Vinyl Nation digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other?