‘The Shadow of the Sun’ draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.
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CREMASTER 4 (1994) adheres most closely to the project’s biological model. This penultimate episode describes the system’s onward rush toward descension despite its resistance to division. The logo for this chapter is the Manx triskelion – three identical armored legs revolving around a central axis. Set on the Isle of Man, the film absorbs the island’s folklore …
A countess from Transylvania seeks a psychiatrist’s help to cure her vampiric cravings.
In time of war, a man must survive to make a journey to fulfill a promise made and discover the truth. After a terrible battle, a man sees his great friend perish, leaving him one request – that he visit the king, father of the deceased, to give him the news of his death. Tied promise on his deathbed friend, the warrior part for the meeting with the monarch, an old man and convalescent, who lost his only heir. The king demands that the warrior’s serve, but the man is tired of war and want a place to live in peace. When the warrior goes in search of tranquility, his path crosses that of a beautiful young woman, chased by soldiers. He saves her and discovers she is a witch. With the Inquisition coming to the kingdom and a new love in his chest, the warrior must regain their weapons to prevent more blood from the people he loves spill.
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Doctor Gulliver is poor, so nothing – not even his charming fiancée Elisabeth – keeps him in the town he lives. He signs on to a ship to India, but in a storm he’s washed off the ship and ends up on an island, which is inhibitated by very tiny people. After he managed to convince them he’s harmless and is accepted as one of their citizens, their king wants to use him in war against a people of giants. Compared to them, even Gulliver is a gnome.
