Nora Wilder (Parker Posey), a single, career woman works at a Manhattan boutique hotel where her excellent skills in guest relations lack in the romantic department. If it is not her loving and dominant mother (Gena Rowlands) attempting to set her up that consistently fail, she has her friend’s (Drea de Matteo) disastrous blind dates to rely on as a backup for further dismay. She’s surrounded by friends who are all happily engaged or romantically involved and somehow, love escapes Nora — until she meets an unusual Frenchman (Melvil Poupaud) who helps her discover life beyond her self-imposed boundaries.

King of Horror, legendary actor, scriptwriter and director, Paul Naschy is regarded as the Spanish Lon Chaney and the most prolific filmmaker dedicated to the fantastic cinema in Spain.

The universe of the Halo video game series is expanded in seven short animated films from Japan’s greatest anime directors and studios.

The year is 2085 and no human babies have been born in over a decade. A group of disparate survivors respond to a call to meet in Athens, where the film’s narrator Jo, a boy of African descent, aims to make the world’s last film.

Corey and his band of skater buddies sometimes make mischief, but they’re more interested in girls and having fun on their boards than in getting into any real trouble. Notorious enemy crew the Daggers, led by Tommy Hook, get their kicks terrorizing the locals at Venice Beach. When Corey starts dating Tommy’s kid sister Chrissy, the Daggers are furious. The boys then take their beef to the “L.A. Massacre,” a deadly skate race down a canyon road.

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The commander of a Texan fort in the Civil War refuses to surrender to the Northerners, and tries to buy the local Indian tribe chief’s daughter. The sage man refuses, and the Southerners massacre the tribe and abduct the young squaw anyway. The noble squaw manages to escape, and hides out with a rough rancher, who dislikes Indians, but hates the Southerners more. The odd couple joins forces, and tactics, to exert ultimate vengeance on the men at the fort.

The ’60s, Romania. Serafim, a young doctor, is sent to the Hospital in Palilula, a small town lost somewhere on the country map, after the death of the previous pediatrician, Mr. Pantelică.

A wealthy middle-aged man at the airport witnesses a tiny incident involving an unknown, perhaps Arab, young man and airport staff. After the young man is confronted directly at the airport toilets, he feels himself subject to an indefinable but increasingly serious sense of danger. The fear of the evil that had, as it were, encircled the man since then, gradually becomes an obsession. The urgent desire to see the evil, to confront it and destroy it.

A Russian gang operating in Leeds with no respect for the laws of England, traffic Eastern Europeans in containers then enslave them, the women to sex, the men to illegal fights. They cross local businessman Gabe Taylor and a war escalates, but when his daughter is taken to be sold into the sex trade, Gabe fights back.

Four friend on their way to a party for the holidays as their past comes up and it takes a hard turn to fix their lives again.

Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.