Four couples deal with love and lust, commitment and infidelity, and the pressures of relationship expectations. Filmed in Melbourne, Berlin, Malta, and New York, In Corpore tackles the consequences faced when one chooses to either suppress or give into the inner desires of body and soul.
You May Also Like
A cab driver nearly hits a man with amnesia, then helps him unravel his past, only to discover he’s a murder suspect as she falls for him.
After years of performing “exorcisms” and taking believers’ money, Reverend Marcus travels to rural Louisiana with a film crew so he can dispel what he believes is the myth of demonic possession. The dynamic reverend is certain that this will be another routine “exorcism” on a disturbed religious fanatic but instead comes upon the blood-soaked farm of the Sweetzer family and a true evil he would have never thought imaginable.
In this musical take on everyday life, Adele is devastated after a painful breakup. Her distant cousin, Rachel, finds her a job and suggests that Adele sleep with other men to get over her heartbreak. The search begins, but Adele can’t escape the visage of her former lover….
Mushi are beings in touch with the essence of life, far more basic and pure than normal living things. Most humans are incapable of perceiving Mushi and are oblivious to their existence, but there are a few who possess the ability to see and interact with Mushi. One such person is Ginko who travels from place to place to research Mushi and aid people suffering from problems caused by them.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
A Baltimore sandwich shop employee becomes an overnight sensation when photographs he’s taken of his weird family become the latest rage in the art world. The young man is called “Pecker” because he pecks at his food like a bird.
A few years back tragic events tied the fate of three Catholic priests. From then on they meet on every anniversary of the disaster to celebrate their survival. On an everyday basis they have their ups and downs. Lisowski works at the curia in a big city, has a career and is dreaming of the Vatican. Problem is, archbishop Mordowicz, an opulent church official who uses his political influence to build the largest sanctuary in Poland, gets in his way. The second priest, Trybus, is a village parson. He ministers to a poor community and gives in to human weaknesses more and more often. Kukuła is not faring well either. Despite his fervent faith, he loses the trust of his parishioners actually overnight. Soon the stories of the three clergymen are going to join once again.
In 1910, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer. A love triangle, a swarm of locusts, a hellish fire—Malick captures it all with dreamlike authenticity, creating at once a timeless American idyll and a gritty evocation of turn-of-the-century labor.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
Desperate to get her life back to normal after a surprisingly uncommon medical diagnosis, Ashley Jones is forced to examine what “normalcy” really means in a world of mistaken identities, very old, old friends, and poisoned meatballs.