The first episode – featuring frequent Borowczyk muse Marina Pierro – is the longest and, in a way, most substantial: it’s set in Renaissance Rome, with the lusty (and perpetually nude) leading lady sexually involved with famous painters and church benefactors. The second episode is the most notorious and, consequently, gave the film its controversial poster – featuring a rabbit slowly disappearing under the skirt of a teenage girl (played by Gaelle Legrand). The third and final episode, which has a modern-day setting, is the shortest – but also, possibly, the most outrageous: Pascale Christophe is a young married woman who’s abducted on a busy Parisian street by a small-time hood hidden inside a cardboard box!
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100 years ago, titans suddenly appeared on Earth. Soon, human civilization veered on collapse due to the titans. Humans then built a giant wall to defend themselves. Within the giant walls, humans lived in peace, but, 100 years later, the giant wall is broken.
It’s almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor ― and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they’ll remember forever. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. But with graduation approaching and college plans in question, what will become of the dreams, romances, and friendships of East High’s senior Wildcats?
Three young people arrive from different parts of the country to go to college in Sao Paulo. On their first day there, a strange and intense attraction unites them. Together, they rent an apartment and begin living together, in close quarters. Sharing kisses and fond embraces. They exchange words of endearment with the naturalness of ordering a sandwich at a diner. They threaten to break up and the next moment they are all laughing together again. College days however soon come to an end and, with each having different paths to trail, separation is imminent. And consequently, their gestures, words and attitudes take on a new weight. Touching each other now takes on a new significance. Words of love are weighed down by consequences.
Trapped in a loveless marriage, aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky.
Nina, 30, a Ukrainian language teacher who can’t leave the city of Luhansk, occupied by separatists in Eastern Ukraine, is forced to undergo retraining courses for teaching Russian. Andrii, 17, is a student who was orphaned in the aftermath of the war. They cross paths when Nina witnesses Andrii being arrested by the police after hanging the Ukrainian flag from the roof of his school. Nina knows that because they live in a world of injustice and lies Andrii can stay in jail for a long time, and she risks her life to free him. As they gravitate towards each other, they try to remind people in the occupied territories that they deserve a future, too.
In EVOLUTION, acclaimed filmmaking team Kornél Mundruczó and Kata Wéber (PIECES OF A WOMAN) return with a powerful drama tracing three generations of a family, from a surreal memory of World War II to modern day Berlin, unable to process their past in a society still coping with the wounds of its history. Like the water that connects the episodes in this triptych, memory and identity are fluid, and how we relate to it can drown or buoy. The pain and stigma that trickles from Eva, to Lena and then Jonas is inexpressible, yet rendered with striking imagery by Mundruczó and a wrenchingly poignant yet acerbically ironic and personal script by Weber. While generational traumas find new expression in the present, the family in EVOLUTION looks towards a more hopeful future
After several years of sexual dysfunction, Ada and her boyfriend, Calvin travel to her hometown in rural Oklahoma in hopes of piecing together her fragmented childhood memories. They find their answers, but can they find their way back home?
ECSTASY is a dark romantic comedy, based on the controversial book, “Ecstasy”, by Irvine Welsh. “Ecstasy”, was translated into 20 languages and was a number one bestseller in over 20 countries. Mr. Welsh’s first book, “Trainspotting”, published in 1993, (and voted by Waterstone, Europe’s largest bookstore chain, as one of the Ten Best Books of the Century), sold over 1 million copies in the UK alone, and has its own Cinematic Cinderella success story.
The CIA’s hunt is on for the mastermind of a wave of terrorist attacks. Roger Ferris is the agency’s man on the ground, moving from place to place, scrambling to stay ahead of ever-shifting events. An eye in the sky – a satellite link – watches Ferris. At the other end of that real-time link is the CIA’s Ed Hoffman, strategizing events from thousands of miles away. And as Ferris nears the target, he discovers trust can be just as dangerous as it is necessary for survival.
Henrietta and Junior farm a secluded piece of land that has been in Junior’s family for generations, but their quiet life is thrown into turmoil when an uninvited stranger shows up at their door with a startling proposal. Will they risk their relationship & personal identity for a chance to survive in a new world?
The story of Bobby Sands, the IRA member who led the 1981 hunger strike in which Republican prisoners tried to win political status. It dramatises events in the Maze prison in the six weeks prior to Sands’ death.
