The first episode – featuring frequent Borowczyk muse Marina Pierro – is the longest and, in a way, most substantial: it’s set in Renaissance Rome, with the lusty (and perpetually nude) leading lady sexually involved with famous painters and church benefactors. The second episode is the most notorious and, consequently, gave the film its controversial poster – featuring a rabbit slowly disappearing under the skirt of a teenage girl (played by Gaelle Legrand). The third and final episode, which has a modern-day setting, is the shortest – but also, possibly, the most outrageous: Pascale Christophe is a young married woman who’s abducted on a busy Parisian street by a small-time hood hidden inside a cardboard box!
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The first part of Bill Douglas’ influential trilogy harks back to his impoverished upbringing in early-’40s Scotland. Cinema was his only escape – he paid for it with the money he made from returning empty jam jars – and this escape is reflected most closely at this time of his life as an eight-year-old living on the breadline with his half-brother and sick grandmother in a poor mining village.
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A group of heroes assembled by the eccentric billionaire goes into closed Perimeter full of abnormal activity which is inexplicable in terms of science. This journey will change all members of the group and reverse their notion of reality.
Hinata is murdered again by the Tokyo Manjikai Gang in front of Takemichi. In order to save Hinata, Takemichi travels 10 years back in time again. Takemichi has to change a key case that can save Hinata. The key case involves a sad incident that occurred to 6 men, who later formed the Tokyo Manjikai Gang.
A subtle tale of a confrontation between two lonely people, one from which true understanding cannot seemingly result.
Jean Valjean, a Frenchman imprisoned for stealing bread, must flee a police officer named Javert. The pursuit consumes both men’s lives, and soon Valjean finds himself in the midst of the student revolutions in France.
