Four erotic tales from in various historical eras. The first, ‘The Tide’, is set in the present day, and concerns a student and his young female cousin stranded on the beach by the tide, secluded from prying eyes. ‘Therese Philosophe’ is set in the nineteenth century, and concerns a girl being locked in her bedroom, where she contemplates the erotic potential of the objects contained within it. ‘Erzsebet Bathory’ is a portrait of the sixteenth-century countess who allegedly bathed in the blood of virgins, while ‘Lucrezia Borgia’ concerns an incestuous fifteenth-century orgy involving Lucrezia, her brother, and her father the Pope.
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After being physically attacked by his loving wife Carmen, a series of unsettling incidents lead her husband Pat to question just what is happening to her. It’s only when Carmen can’t find her own house one day, that she and Pat are ready to face the unimaginable: Carmen has early onset Alzheimer’s. As her cognition deteriorates, and the time draws closer when Carmen will no longer even recognize her devoted husband, Pat finds refuge in the only place left that the disease can’t reach — his memories of their life together.
Pursued by a dangerous criminal after a failed theft, con artists Nina and Yaz get way more than they bargained for when they target a seemingly innocent elderly widow called Beryl. Incarcerated in a nightmare version of suburbia and consumed with fear, Nina and Yaz find themselves fighting desperately for their lives against Beryl’s family of deranged and hungry psychopaths.
The ‘Hot Potato’ is an exciting new British period ‘caper movie’, in the spirit of ‘The Italian Job’ and ‘Two Way Stretch’ and is based on real events which took place at the end of the 1960s in London’s East End.
In June 1950, soon after the start of the Korean War, a troop of North Korean soldiers enter a small South Korean village. Captain Jeong-woong proclaims that they came to liberate the villagers but their true agenda is to ferret out the reactionaries. The villagers and Seol-hee, who is separated from her fiance on her wedding day, offer them heartfelt hospitality and cooperation to avoid falling out of the army’s favor. Eventually friendships starts to build up between the soldiers and the villagers.
With their careers on the line, a late-90s rock band journeys to a French chateau to record with an elusive super-producer. But as tensions rise and tempers flare, they realize they’re up against more than just the pressure to succeed.
Zatoichi comes upon a dying man who asks him to give a bag of money to “Taichi”. Zatoichi has no idea who this is but when he comes upon a small town harassed by gangsters, he finds that “Taichi” was the man’s young son. Along his travels he also met a blind monk who makes Zatoichi question his murderous lifestyle. In trying to help the town, Zatoichi kills some gangsters and becomes a hero to the boy. He must make a choice of whether to use non-violence and set a good example, or violence and set the boy on the wrong path in life.
Teddy Duncan’s middle-class family embarks on a road trip from their home in Denver to visit Mrs. Duncans Parents, the Blankenhoopers, in Palm Springs. When they find themselves stranded between Denver and Utah, they try to hitch a ride to Las Vegas with a seemingly normal older couple in a station wagon from Roswell, New Mexico. It turns out that the couple believes they are the victims of alien abduction. The Duncan’s must resort to purchasing a clunker Yugo to get to Utah, have their luggage stolen in Las Vegas, and survive a zany Christmas with Grandpa and Grandma Blankenhooper.
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An official adaptation of the award winning game “Papers, Please” by Lucas Pope.