A sensitive five-year-old girl searches for comfort and ballast when a tragic event engulfs her family in grief. In a futile search for support, she drifts into a world of fantasy.

In this sequel to his 1978 “When Every Day Was the Fourth of July” (and a pilot to a prospective series), producer/director Dan Curtis recalls more of his youth during the late ’30, and follows a fictionalized family where the father has jeopardized a promising law career to defend a Jewish immigrant against the prejudices of a staid New England town.

Angela Baker, a psychotic transsexual, escapes from a mental hospital and surfaces at a summer camp as a counselor who lectures her teenage charges on proper moral behavior. Those teens who break her strict rules — from the camp chatterbox or a sex-obsessed girl to the boys who are peeping Toms — are murdered by the impostor in various gruesome ways. As more campers go missing, intrepid counselor Molly begins to piece together the truth.

Young farmboy leaves for the big city to get a job and find his sister; both of them get involved with drug dealers and become opium/cocaine addicts.

Bollywood film about the famous courtesan of the title. Aishwarya Rai stars in the lead role. The film is directed by J.P. Dutta and also stars Shabana Azmi, Sunil Shetty, Abhishek Bachchan, Divya Dutta, Himani Shivpuri and Kulbhushan Kharbanda.

Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.

A woman exacts finely choreographed revenge for an improper act from when she was 17. But what happened to her back then? And what will happen to the men she imprisons?

The destinies of hard-luck lowlifes slowly converge and come crashing down: Jung-man barely gets by working at a sauna and taking care of his sick mother until he finds a bag full of cash in the locker room; Tae-young is in trouble after his girlfriend runs away with the money he borrowed from a loan shark. Soon, a dead body mysteriously turns up; Mi-ran, caught between her husband’s violence and a dead-end job as a bar hostess, she finds a young lover, Jin-tae who offers to kill her husband… And now their dog-eat-dog game starts.

Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna’s confessions do not absolve anyone, and have the power to inflict more pain.

A pair of psychotic hoodlums and an equally demented nymphomaniac woman terrorize two young girls on a train trip from Germany to Italy.

This “Traviata” became one of the most succesful of all opera films, especially in France, where 800,000 Parisian cinemagoers flocked to it in the first six week. It was nominated for two Oscars (for production and costume design) and won BAFTAs in those two categories, as well as receiving BAFTA and Golden Globe nominations as 1983’s Best Foreign-Language Film.

The world is full of fascination and obsessions. Different people have different desires and goals in life. For some its power, for some its money, for some its someone and for some its plain crazy love.The real question is that to what level can one rise or fall for his/her dream or aspirations. Mirza Juuliet is the story of such strong emotions like love, hatred, lust, trust, friendship, deceit, manipulation and above all a mixed confusion of all these emotions.