Three women wrestle with life’s difficulties while confronting their past relationships with the same man.
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A hobo played by Barnard Hughes decides it’s time to go home. Drifting from place to place, Hughes finds himself in his hometown of Salt Lake City at Christmas time. Here he hopes to close old wounds and be reunited with his unforgiving son played by Gerald McRaney, and get to know the grandchildren he has never met. McRaney, still resenting the fact that Hughes ran out on his family 25 years earlier, gives his father only one day with his grandkids; after that, he’s expected to leave and never come back. All the while Hughes’ friends warn him that his son and the past are memories that are best left alone, and should leave, but he has to find out for himself.
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A racist woman makes it her personal mission to displace the new Black family that has just moved in next door to her. A community activist and his wife are the couple she’s targeting — but they won’t back down without a fight.
Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
Enzo, a family dog with a near-human soul and a philosopher’s mind, evaluates his life through the lessons learned by his human owner, the race-car driver Denny Swift.
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation.
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Marcel is an adorable one-inch-tall shell who ekes out a colorful existence with his grandmother Connie and their pet lint, Alan. Once part of a sprawling community of shells, they now live alone as the sole survivors of a mysterious tragedy. But when a documentary filmmaker discovers them amongst the clutter of his Airbnb, the short film he posts online brings Marcel millions of passionate fans, as well as unprecedented dangers and a new hope at finding his long-lost family.
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