A solitary writer on a downward spiral life changes when the lead character of her novel comes to life in a physical from unrecognizable to her and will force her to face her dark past.

At an Austrian boys’ boarding school in the early 1900s, shy, intelligent Törless observes the sadistic behavior of his fellow students, doing nothing to help a victimized classmate—until the torture goes too far. Adapted from Robert Musil’s acclaimed novel, Young Törless launched the New German Cinema movement and garnered the 1966 Cannes Film Festival International Critics’ Prize for first-time director Volker Schlöndorff.

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The night of August 24, 1572, is known as the Massacre of St. Bartholomew. In France a religious war is raging. In order to impose peace a forced wedding is arranged between Margot de Valois, sister of the immature Catholic King Charles IX, and the Hugenot King Henri of Navarre. Catherine of Medici maintains her behind-the-scenes power by ordering assaults, poisonings, and instigations to incest.

Co-pilot Kazuhiro (Tanabe Seiichi) is up for promotion, but before he can get his captain’s wings he has to get through a flight evaluation, and things aren’t exactly going his way. He just crashed and burned on a simulated flight test, and his friendly examiner has been replaced with the tough-as-nails Harada (Tokito Saburo). On the same plane is cabin attendant Etsuko (Ayase Haruka) who’s flying her first international flight and trying hard to not mess up. Elsewhere in the Happy Flight universe, staff are bustling back and forth with various problems and gripes – all to make this ordinary yet fateful flight a safe and happy one.

A supernatural thriller centered on three people — a blue-collar American, a French journalist and a London school boy — who are touched by death in different ways.

A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet. (Wide release version with narration by Cate Blanchett.)

A young, lonely woman is consumed by her deepest and darkest desires after tragedy strikes her quiet country life.

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.

A down on his luck boy finds love in the most unexpected way.

Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi