The lovably simple residents of peaceful Kikoriki Island are thrown kicking and screaming into big adventure, when their resident scientist invents an amazing device – a helmet called “the Improverizor,” which takes personality traits from one person and swaps them with traits of someone else. But when spineless young Wally tries to use the untested device to cure his cowardice, he ends up even more spineless – by getting accidentally body-switched with a squirmy little caterpillar. Now he has even more to fear than he could have ever imagined, and so do his fellow villagers, as they’re dragged into a madcap adventure packed with plane crashes, mistaken identities, erupting volcanoes and angry primitives on the warpath. Boy, do the Kikoriki Crew wish they could switch place now – with anyone.

Carla and Bruno believe they have answers for everything until Rai appears in their lives, an attractive and mysterious young who lives outside the rules. In this story about love and friendship, boundaries dissolve by the rhythm of funky and break to offer a provocative, exciting and deeply touching vision about romantic relationships.

Eric (Alex Fong Lik-Sun) and Cheun (Sammy) are two medical students who opt to rent a flat in a secluded housing estate, the reason being to concentrate on their upcoming exams. Their best intentions go south damn quick; first of all, Cheun wastes time and acts extremely annoying, thereby ruining any chance at serious study time. Second, there may be vampires in the building. Eric becomes slightly enamored of Jade (Miki Lee), a pretty young thing who lives in the building with her older sisters (Zuki Lee and Cynthia Ho). But after a series of weird noises and the appearance of a man bleeding from the neck, Eric thinks something may be up. He enlists the help of TV occult expert Mister M (Yuen Wah), who all but confirms Eric’s suspicions: the sisters are vampires. Worse, they must suck the life out of one good man to cure their aversion to daylight, and have ear-marked Eric as the designated “good man”.

Lisa, a young journalist, attends an art gallery in the hopes of scoring an interview with the original painter, Sydney M. Cobb.

The Mischief Theatre Company return as the Cornley Polytechnic Drama Society who are this time determined to ignore a BBC blacklisting by hijacking a live production of Charles Dickens’ famous festive fable. Yet they struggle with studio direction and special effects, and trying to keep a professional cast at bay.

A group of drag-racing fanatics, members of a Los Angeles club, move into an old deserted mansion and set up shop, making it their headquarters. They hold a Halloween masked ball for the club’s grand opening, and invite everyone to come dressed as their favorite monster! Oddly enough, the festivities turn sour when one of the bright youths discovers an impostor among them in the form of an honest-to-gosh live monster who’s been hogging all the dances with the best-looking girls

Protagonist Katsutoshi leaves town after a fight at work, and seeks refuge at a salon run by Seikichi, his Tokyo-based old friend, called “Tokyo Playboy Club.” Meanwhile Eriko, the girlfriend of a waiter at the salon, finds herself forced to work there as a hostess after he gets into a bit of trouble. Then one day Katsutoshi brawls with a lowly neighborhood gangster, beating him to a pulp. The incident causes him, Seikichi, and Eriko to become embroiled in an even graver situation….

A group of Black friends reunite for a Juneteenth weekend getaway only to find themselves trapped in a remote cabin with a twisted killer.

A town – where everyone seems to be named Johnson – is in the way of the railroad and, in order to grab their land, Hedley Lemar, a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother’s death.

In small-town Texas, affable and popular mortician Bernie Tiede strikes up a friendship with Marjorie Nugent, a wealthy widow well known for her sour attitude. When she becomes controlling and abusive, Bernie goes to great lengths to remove himself from her grasp.

n the history of Romanian cinema, Sergiu Nicolaescu’s name stands for “prolific, highly commercial and professional”. At the age of 80, the director launched his latest production, which is also his second comedy in a long row of action and historic films. “Poker” is a cinema adaptation of Adrian Lustig’s theatre play with the same name, and focuses on four male friends, representatives for the social canvas: a doctor without a moral conscience, an unscrupulous politician, a chief of the local mafia, and a businessman who made a fortune in America. Made by MediaPro Pictures, ‘Poker’ looks at immorality and intrigues in politics, hinting at the fact that contemporary Romania is a day to day jungle where strings are pulled by those in power, so everything turns into a poker round, where those who have the right aces in their sleeve can win.