An idyllic small town is rocked when Aubrey Fleming (Lindsay Lohan), a bright and promising young woman, is abducted and tortured by a sadistic serial killer. When she manages to escape, the traumatized girl who regains consciousness in the hospital insists that she is not who they think she is and that the real Aubrey Fleming is still in mortal danger.
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Mirene and André are a heterosexual couple struggling with infertility issues. Carl and Vicente are a homosexual couple undergoing an experimental procedure in order to have a biological child.
Michel takes up pickpocketing on a lark and is arrested soon after. His mother dies shortly after his release, and despite the objections of his only friend, Jacques, and his mother’s neighbor Jeanne, Michel teams up with a couple of petty thieves in order to improve his craft. With a police inspector keeping an eye on him, Michel also tries to get a straight job, but the temptation to steal is hard to resist.
A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they’ve been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
Something is missing in Tom’s life. His marriage has lost its spark, his job is suffocating him, and his childhood best friend Dan still clings to the past. Every day he goes through the motions, becoming increasingly detached from those around him. Dan has the solution… something Tom’s got to see to believe… tonight. What Dan shows him leaves Tom unsettled, flooding his mind with disturbing images, and binding the two friends together with its ugly secret.
Inspired by global phenomenon of military wives choirs, the story celebrates a band of misfit women who form a choir on a military base. As unexpected bonds of friendship flourish, music and laughter transform their lives, helping each other to overcome their fears for loved ones in combat.
A look at the making of the film Troll 2 (1990) and its journey from being crowned the “worst film of all time” to a cherished cult classic.
On the 6th December 1995, three Essex gang members were brutally murdered in cold blood. It’s now early 1997 and whoever killed the three men have yet to be brought to justice. An associate of the men, still mourning the loss of his friends, is convinced that it’s only a matter of time before he’s next. For him, the only way out is to go back in and work his way back up the criminal ladder. The higher he gets, the more violent the jobs become, his quest for power turning into an obsession. With life and family on the line can he hold his nerve together one last time in order to get out alive?
Pastry chef Helena poisons men who don’t meet her high standards. Her fiancé Charlie has nothing to worry about, at least until his sister Becca becomes suspicious of Helena’s culinary killing past. It’s up to Becca to save Charlie from both the altar and the grave.
American girls dream of finding romance in Rome, but there is none for secretaries, Anita tells her replacement at the USDA. But Maria soon meets Prince Dino de Cessi at a party at her boss’s home who invites her to fly to Venice in his private plane. Frances, who has been in Rome for 15 years as the secretary of a successful American writer who talks a lot like George Bernard Shaw and is just as elusive as Professor Henry Higgins in “My Fair Lady,” tells her at first to say “no” and then decides that together they can handle the man nicknamed the predatory prince. Coins tossed in the Trevi Fountain can indeed work magic.
