The film concerns an old Irish immigrant living in London who is looking back over his life. He recalls his early life in the west of Ireland, his first love, emigrating to England, searching for his brother Joe, who disappeared after he emigrated several years previously. His marriage and wife’s later depth is also remembered.
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Hasu is a young, innocent village boy. He has none to be called as a family in this world. That’s why he has made all the villagers his family members. Hasu’s life revolves around the love of his life-Kajol and his childhood friend-Anis. When finally Hasu is going to be settled and live happily ever after with Kajol, life takes an unexpected turn and everything falls apart. When Hasu’s love and friendship are at stake, what will Hasu do?
Three years after his wife, acclaimed photographer Isabelle Reed, dies in a car crash, Gene keeps everyday life going with his shy teenage son, Conrad. A planned exhibition of Isabelle’s photographs prompts Gene’s older son, Jonah, to return to the house he grew up in – and for the first time in a very long time, the father and the two brothers are living under the same roof.
A loan shark is forced to reconsider his violent lifestyle after the arrival of a mysterious woman claiming to be his long-lost mother.
In Greece to scatter his father’s ashes, Isaac hears of a curse that hangs over the head of his family. Dismissing the idea, his trip begins to unveil dark truths that forced his father to flee years ago.
While evading the cops in Agra, Rani and Rishu scheme to run away together. But when their plans go awry, Rani asks a mild-mannered admirer for help.
A German woman in New York is busy redesigning her life from model to designer, but is forced to live with her husband’s ex-wife when he disappears.
An idealist district governor, Selahattin Bey, adopts Yusuf, orphaned after his family was killed by thugs. Yusuf falls in love with Muazzez, the daughter of Selahattin. But when Hilmi Bey’s son Şakir also wants to marry Muazzez, a conflict escalates.
Based in a London suburb Mahmud Nasir lives with his wife, Saamiya, and two children, Rashid and Nabi. His son plans to marry Uzma, the step-daughter of Egyptian-born Arshad Al-Masri, a so-called ‘Hate Cleric’ from Waziristan, Pakistan. Mahmud, who is not exactly a devout Muslim, he drinks alcohol, and does not pray five times, but does agree that he will appease Arshad, without whose approval the marriage cannot take place. Shortly thereafter Mahmud, while going over his recently deceased mother’s documents, will find out that he was adopted, his birth parents were Jewish, and his name is actually Solly Shimshillewitz.
Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) – think Duke University – and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He’s an alcoholic, fresh out of rehab. He gradually becomes Duke’s gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him?
