Part jazz history, part true-crime tale, Kasper Collin’s new documentary employs extensive archival footage and new interviews to tell the tragic story of the magnificently talented trumpeter Lee Morgan and his common-law wife Helen, who murdered him in a New York bar in 1972.
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A German couple and their dog travel across North America in a school bus searching for a state of pure bliss.
Casey Anthony’s parents undergo polygraph tests to answer lingering questions.
The film follows Michael Moskowitz’s work with a New York-based therapist named Kirkland Vaughns, one of the few African-American Freudian therapists in the United States, while the director reveals her own family’s devastating trauma.
FINDING THE MONEY follows economist Stephanie Kelton on a journey through Modern Money Theory or “MMT”. Kelton provocatively asserts the National Debt Clock that ticks ominously upwards in New York City is not actually a debt for us taxpayers at all, nor a burden for our grandchildren to pay back. Instead, Kelton describes the national debt as simply a historical record of the number of dollars created by the US federal government currently being held in pockets, as assets, by the rest of us. MMT bursts into the media with journalists asking, “Have we been thinking about how the government spends money, all wrong?” But top economists from across the political spectrum condemn the theory as “voodoo economics”, “crazy” and “a crackpot theory”. FINDING THE MONEY traces the conflict all the way back to the story we tell about money, injecting new hope and empowering countries around the world to tackle the biggest challenges of the 21st century: from climate change to inequality.
Long a dream, the quest for immortality has shifted from the metaphysical to the technical and the scientific. With cryonics technology improving, human cloning, mind uploading and digital brain simulation, and reversing the aging of cells feasible, immortality may seem right around the corner.
Louis has gained access to Coalinga Mental Hospital in California, which houses more than 500 of the most disturbed criminals in America, convicted paedophiles. Most have already served lengthy prison sentences, but have been deemed unsafe for release. Instead, they have been sent here for an indefinite time. Spending time with those undergoing treatment, Louis wrestles with whether he can ever allow himself to believe men whose whole history is defined by deception and deceit.
The story of some of the people on the Polcevera Bridge on the day of its collapse, investigating what caused the bridge to fail so catastrophically.
Stolen is a 2009 Australian documentary film that uncovers slavery in the Sahrawi refugee camps controlled by the Polisario Front located in Algeria and in the disputed territory of Western Sahara controlled by Morocco, written and directed by Violeta Ayala and Dan Fallshaw. It had its world premiere at the 2009 Sydney Film Festival,[1] where a controversy started after one of the participants in the documentary, Fetim, a black Sahrawi, was flown to Australia by the Polisario Liberation Front to say she wasn’t a slave.
An examination of the infamous thirty-year-old cold case of Iowa paperboy Johnny Gosch, the first missing child to appear on a milk carton. The film focuses on Johnny’s mother, Noreen Gosch, and her relentless quest to find the truth about what happened to her son. Along the way there have been mysterious sightings, bizarre revelations, and a confrontation with a person who claims to have helped abduct Johnny.
A documentary that tells the tale that the victors still do not want you to know. Learn the terrible truth about the rape, torture, slavery, and mass murder inflicted upon the German people by the Allied victors of World Word II.
The Thread is a groundbreaking documentary that exposes the undeniable impact amateur internet writers are having on journalism today. Following the 2013 Boston Marathon bombing, amateur internet sleuths took to Twitter and Reddit, intent on identifying the individuals responsible. The ensuing investigation led to an innocent young man being charged with the crime, thus changing the face of journalism forever. Directed by Greg Barker (Manhunt) and executive produced by Emmy Award-winning producer Jonathan Chinn (American High) and Academy Award-winning producer Simon Chinn (Man on Wire).