A newly appointed cemetery chairman believes that, merely by inserting a black plot-marking pin into a wall-sized map of the cemetery, he can cause the deaths of that plot’s owner.
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Set in postwar Vienna, Austria, “The Third Man” stars Joseph Cotten as Holly Martins, a writer of pulp Westerns, who arrives penniless as a guest of his childhood chum Harry Lime, only to find him dead. Martins develops a conspiracy theory after learning of a “third man” present at the time of Harry’s death, running into interference from British officer Maj. Calloway and falling head-over-heels for Harry’s grief-stricken lover, Anna.
A bad night out just got a fair bit worse, it’s the end of the world! Something terrible has happened, the undead are out in force; roaming the streets and devouring all who get in their way. A group of soldiers, civilians and teenagers take shelter in a local school for protection from the undead hordes outside, but no rescue is coming. Food is running low – morale doubly so, tensions are high and things are looking bad when a stranger arrives outside the gate. Then they get a whole lot worse.
Eternally cursed and mummified by the pharaoh for pursuing the love of his daughter, Hat-Em-Akhet, Hor-Shep-Sut lies in quiet slumber waiting for the day she will be reawakened. When Hor-Shep-Sut’s sarcophagus is found by Dr. Wallis Harwa and opened by Professor Carter Moore, the professor’s fiancée, Ana, immediately faints at the sight of the horrific, but somehow oddly familiar mummified remains. As Hor-Shep-Sut awakens from her centuries-old slumber to pursue her long lost love, viewers can rest assured that she will certainly have her fair share of erotic encounters before meeting her ultimate fate.
An art teacher’s plans fall apart when he kidnaps a ballplayer’s daughter to repay a debt to a ruthless mob boss.
David Aames has it all: wealth, good looks and gorgeous women on his arm. But just as he begins falling for the warmhearted Sofia, his face is horribly disfigured in a car accident. That’s just the beginning of his troubles as the lines between illusion and reality, between life and death, are blurred.
Michael Jennings is a genius who’s hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he’s incapable of breaching security. But at the end of a three-year job, he’s told he isn’t getting a paycheck and instead receives a mysterious envelope. In it are clues he must piece together to find out why he wasn’t paid – and why he’s now in hot water.
Chen Zhen returns to the international compound of China only to learn of his beloved teacher’s death. This is compounded by the continual racist harassment by the Japanese population in the area. Unlike his friends, he confronts it head on with his mastery of martial arts while investigating his teacher’s murder.
Heather and her friends have some devilish fun on the social website, ConnectMeNet. However, their amusement has come at the expense of a lonely and medicated half-wit, Jerry Tobin. After goading him into humiliating himself on camera in various cruel acts of depravity, they post the clips online for the world to see in a video titled “Revenge on a Creeper”. This ruins Jerry’s meager life and he disappears without a trace… Fast forward a year, and the tables are now turned when Jerry reemerges, off the antipsychotic medication that clouded his thoughts and kept his demons at bay. Now the girls are forced into a nightmarish fight for their lives!
A documentary about George A. Romero’s films, with a behind scenes look at Dawn of the Dead.
A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city’s history, and centered on a the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.
