Wiz’s Weekender (1992) was a film ahead of its time, both in form and content. It engaged with contemporary issues that mainstream media were eager to sensationalise. Consequently, it was branded with an 18 certificate and banned by both the BBC and ITV, never reaching a wider audience. For the past three decades, Weekender has bubbled just below the surface, gaining genuine cult status and influencing a vast network of creators. In the run-up to its thirtieth anniversary filmmakers Tabitha Denholm and Adam Dunlop interviewed people involved in the project. I Am Weekender is built around those conversations.
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Jonathan Agassi is a superstar in the world of gay porn. He lives the wild life in Berlin and Tel Aviv, where he works in films and live shows and has a second job as an escort. Sex, drugs and rock ‘n’ roll – and all of it in large quantities. But the industry is tough, and behind the confident smile is an insecure boy with an absent father and a very close relationship to his broad-minded mother. The contrast to the superficial success grows and grows, but in the world of porn there is no room for crises. Here, you must deliver the goods, every single time – and every single day. Otherwise you are done. The identity crisis is smouldering, Agassi is floundering and drugs become tempting as an easy way out. But how long can he hold onto himself? Over the course of eight years, and with much mutual trust, the director Tomer Heymann has followed Agassi right up to the culmination of his life’s biggest crisis.
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