Infernal Affairs III is a 2003 Hong Kong crime thriller film directed by Andrew Lau and Alan Mak. It is the third installment in the Infernal Affairs film series, and is both a sequel and a semi-prequel to the original film, as it intercuts events before and after the events in the original.

When a substance abuse counsellor gets arrested for a DUI and returns to her hometown of Niagara Falls, she learns that her estranged father is dying of cancer and wants her to form a bond with her teenage half-sister that she’s never met.

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that’s fine with her. But, when Peter’s father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle – and Peter isn’t all that thrilled with the arrangement, either.

Feeling confined by their small town and overbearing parents, Annie and Jules hatch a scheme of running away. The only issue is, they need the money to get there. Jules suggests the couple try webcam modeling. Although she’s nervous at first, Annie can’t argue when the money starts rolling in. But as the girls soon find out, consequences can blindside you. Sometimes violently.

A look at the controversial riot cops unit, told through the stories of three veteran cops and a young recruit.

Hubert, a brash 17-year-old, is confused and torn by a love-hate relationship with his mother that consumes him more and more each day. After distressing ordeals and tragic episodes, Hubert will find his mother on the banks of Saint Lawrence river, where he grew up, and where a murder will be committed: the murder of childhood.

Twelve people who gather to gamble at a house party with Rs 12 crore. But at midnight, the lights go out, and the money disappears. No one has entered the house, no one has left. The money isn’t found in the house vicinity either.

Imagine awakening one day to discover that you are not human. That you can memorize entire books word for word but not recall the day before. Imagine discovering that everything you have ever known and every memory that you have is a lie. What would you do? This is the story of Emma and what she did.

Sooraj (Sooraj Pancholi) is a gangster of Mumbai who meets Radha (Athiya Shetty). Radha is the daughter of the Chief of Police. One day, Sooraj takes Radha,telling her that he got instructions from the police to take her away from city for some time. But later Radha gets to know that she is kidnapped by Sooraj. After a series of events, Sooraj leaves Radha. But by that time, they are already in love. Thereafter, comes the part where they have to face a lot of problems.

Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a portrait of Adolf Hitler. The only place she feels home is the Neo-Nazi gang she belongs to, where hate, violence, and heavy parties are the daily rules. When 14-year-old Svenja joins the group, Marisa appears like a role model to her: she fits the purest idea of a combat girl fighting for the group’s ideology. But Marisa’s convictions will slowly evolve when she accidentally meets a young Afghan refugee. Confronted to him, she will learn that the black and white principles of her gang are not the only way. Will Marisa ever be able to get out of this group?

A South American plane loaded with an assortment of characters crash lands in a remote jungle area in the middle of a storm. The passengers then discover they are in an area inhabited by vicious cannibals and must escape before they are found. A remake of Five Came Back (1939).

In an attempt to win back the public’s interest, has-been Hong Kong film star Lau Wai-chi makes a comeback film with a major director. To prepare for his role as a peasant farmer in the 1960s, he travels to the mainland China countryside to experience rural life there, but his arrogance triggers a series of farces.