As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible.

Explore Woodstock 99, a three-day music festival promoted to echo unity and counterculture idealism of the original 1969 concert but instead devolved into riots, looting and sexual assaults.

Set entirely at night, Field Niggas takes us to the corner of 125th Street and Lexington Avenue in Harlem and introduces us to its faces. The non-synch audio track consists of conversations with and among those faces: dreams, regrets, arguments, affection, observations, opinions.

The last stand of the American exploitation film. In a post video store era, media consolidation has led to the censorship and near death of the independent and exploitation film industry. Joe Bob Briggs (Last Drive-in), Debbie Rochon (Toxic Avenger IV), Lloyd Kaufman and James Rolfe (Angry Video Game Nerd) take us on an adventure that leads from the last Blockbuster video store in Bend Oregon to Troma Entertainment in New York, all in an effort to examine how history keeps repeating itself from the video store era to the modern streaming.

In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.

Lady Diana Spencer was one half of the highest-profile courtship the British royal family had seen in decades. The wonder of Diana, and her style, stemmed partially from how noticeable she was from the very beginning.

Freedom Uncut chronicles the tumultuous — yet creatively fruitful — period of Michael’s life and career following the release of his 1987 solo debut, Faith, then through the creation and release of his 1990 follow-up Listen Without Prejudice, Vol. 1. Along with documenting his creative efforts during this period, the doc will also explore his relationship with Anselmo Feleppa — who died from AIDS-related complications — as well as the death of Michael’s mother.

Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?

A cultural portrait of the American dream at a critical time in the nation’s history. Set against the 2016 American election, The King takes a musical road trip across the country in Elvis Presley’s 1963 Rolls Royce.

Winter can be long and boring but grab a pair of skis or a snowboard and transform it and find out what it’s like to have an Extreme Winter. Ride along with skiers like Tamara McKinney, Jim “Moose” Barrows, Billy Kidd, Scotty Brookwbank, and Warren Miller himself as they travel across North America all the way down to Antactica to show you how extreme winter can really be.

THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history – The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.

“Boy from the Blaze” is the survivor of a tragic accident that destroyed his life and that of his family. About to turn 18, without a job or an education, he spends his days in the darkness of his room. Consumed by pain and anger, his only hope is writing songs for an imaginary crowd. Inspired by a friend and encouraged by his mother, he will find the strength to go on stage and overcome his fears.