An unknown virus begins to spread infecting the local population almost instantly, but footage found by the CDC of one man’s survival may just help them find a cure.
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Tony Manero is a Brooklyn paint-store clerk who’d give anything to break out of his dead-end existence. In life, Tony is a peasant; on the disco dance floor, he’s a king. As the soundtrack plays one Bee Gees hit after another, white-suited Tony struts his stuff amidst flashing lights and sweaty, undulating bodies. Tony’s class aspirations are mirrored in his relationship with his dance partner, a secretary eager to move into the glamorous world of Manhattan.
In this section continue to age in his actions reckless and not to work in a job and decides to work and refuses to popular singer Salma and it also rejects the pursuit of girls. Was decided to wear it in and succeed with the help of their daughters; decides punishment by claiming age girl betrothal to a high degree of beauty, and the kidnapping of two girls to discipline Selma. Vtkon surprise that Omar’s father had taught a lesson Monday so as not to Itlaaban divorce and divorce again.
After a terrible air disaster, survivor Max Klein emerges a changed person. Unable to connect to his former life or to wife Laura, he feels godlike and invulnerable. When psychologist Bill Perlman is unable to help Max, he has Max meet another survivor, Carla Rodrigo, who is racked with grief and guilt since her baby died in the crash which she and Max survived.
Defeating numerous villains in the abandoned area in Z-City but still having problems with rent money (and continued harassment from the landlady who says he’s 3 months overdue), Saitama speaks with a shop owner who is being forced by a local gang to surrender his store’s deed. Several other shops have gone out of business and his store is the last one; a conversation between the gang boss and one of his stooges reveal that the boss has had an impulse to buy out all the stores in the area to destroy them.
Olga, Katya, and Andrey have known each other since childhood. They moved to Moscow many years ago and have become successful. Olga is an actress, Katya works for a large-scale PR agency, and Andrey is a political analyst. They buy cars, take mortgages, build country houses. Just like everybody else. But their lives bring them neither happiness nor content. The feeling of “something’s not right but I can’t put my finger on it” underpins the lives of today’s thirty-year-olds. Their childhood took place during the Soviet era, when kids dreamed of becoming heroes, believed in spy stories and a bright future. Yet nobody expected that the dream of becoming a hero would be replaced by the dream of stable and predictable existence. People have stopped dreaming of truly grand things. They just play their roles.
Attendees at a horror-film convention in San Francisco keep disappearing. It turns out that the guest of honor is a real vampire, and his henchmen are kidnapping the convention guests. A horror writer, a Sherlock Holmes fan and an Israeli Nazi-hunter set out to stop him.
The air is thick with tension as a military squad proceeds to the foot of a mountain base, where they’re ordered to wait for backup and hold their position. The mountain is shrouded in fog and the men are exhausted. They’ve been fighting guerrillas on enemy turf for some time, and they’re worn down by the stress and anxiety of battle. The men don’t want to wait; they want to charge up the hill, fearing that their comrades in the base have been overrun by the guerrillas. The squad’s leader tries futilely to keep his men in line while dealing with his insolent second-in-command.