Jamie Grover (Kimberly J. Brown) is an only child who has always wanted out from the constant attention her parents give her. Her wish is finally granted when she finds out her mother is pregnant, but when she turns out to have quints, Jamie’s life changes in ways she had never imagined. She discovers she might not want the same things her parents want for her, but nonetheless, her parents focus all of their attention on her baby brothers and sisters. But when one of her brothers gets terribly ill (from quints) she discovers that she really doesn’t mind the babies, and that she does have the courage to let her parents know she has dreams of her own.

A young writer experiences visions during episodes of sleep paralysis, and she retreats with her boyfriend to an isolated house in the desert. As the visions worsen, she teeters on the edge of insanity as she uncovers a life-threatening secret.

Based on the novel “Panther in the Basement” by the world-renowned author, Amos Oz, the movie takes place in Palestine in 1947, just a few months before Israel becomes a state. Proffy Liebowitz, a militant yet sensitive eleven year old wants nothing more than for the occupying British to get the hell out of his land.

A group of eighty American workers are locked in their office and ordered by an unknown voice to participate in a twisted game.

A film noir drama in which a sophisticated con man, who has just stolen from the mob, is forced to impersonate a psychiatrist who looks just like him, going so far as to cut himself on the cheek to duplicate a similar scar on the doctor. When he takes matters even further, karma arrives, forcing him to pay the debts of his double.

A quantum physics professor is forced to take action after being drugged by the shaman of a Jewish cult who wants him to come back home and become the man he once was.

American high school sweethearts, Wade and Lisa, travel to Australia to experience nature at its finest. As their relationship strains, they head inland to Uluru, navigating remote dirt roads with an unreliable GPS. Soon, they find themselves stranded and ill- prepared and, with only each other to rely on, the two are driven to extremes in order to stay alive in the harsh and unforgiving Outback.

The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.

Set in a small village in North Vietnam, a tale of awakening which traces a growing love triangle between Nham, an earnest and responsible 17-year-old country boy; the charming Ngu, his lonely and naive sister-in-law with whom he works closely in the fields; and Quyen, a stylishly vivacious expatriate who has just returned from the city, curious about life in the village where she spent her childhood. While all three characters are too reticent to unleash their feelings, the romance turns on the realization that this web of emotions is largely symbolic. Nham represents for Quyen an innocence and a past that she can’t recapture, just as she represents for Nham an urbanity and future prospects that he may never attain; and caught between the two is the delicate Ngu, left in the most desolate postion of positions.

When Grady, an assassin with a genetic disorder that renders him unable to feel pain, is sent on a high-stakes assignment, his world is turned upside-down after an attack when he awakens to discover that he can feel pain for the first time in his life. With the clock ticking and his greatest asset gone, Grady will go head-to-head with his greatest fears and unspeakable enemies, while experiencing a tactile world he never could have imagined.

Brooks Caldwell, (Cary Elwes) an erudite and handsome lawyer, seems to have it all: wealth, social status and a red hot career. His success is, in reality, a product of his marriage to his beautiful, socialite wife, Amanda, (Terri Polo) a wealthy timber heiress. Unlike most, who would remain content to enjoy a life of luxury and privilege, Brooks continues to risk everything by having extramarital affairs. Brooks’ philandering, in addition to humiliating Amanda, has driven her to the point of a mental breakdown. Having been pushed over the edge, Amanda orchestrates a just and elaborate plan to bring her husband down. When Brooks leaves for a weekend romp with his latest squeeze, (Agnes Bruckner) his life quickly descends into a bizarre, nightmarish, downward spiral.

Yoshito grew up with his mother Yasue after his father passed away. His mother ran a yakiniku (grilled meat) restaurant that his father had left behind. Yoshito enjoyed eating his mother’s cooking and their restaurant was loved by many people. Things changed after popular food critic Furuyama Tatsuya published false statements about their yakiniku restaurant. Due to that, their restaurant saw a sharp drop in customers. Yasue worked hard to recover business for the restaurant. Due to Yoshito’s behavior in wanting attention from his mom, Yasue decided to shut down the restaurant. 18 years later, Yoshito lives alone and he works as a freelance writer. One day, he takes work for a new online foodie website. He works with editor Takenaka Shizuka. Their first assignment involves yakiniku. Around that time, Yoshito hears that his estranged mother Yasue has collapsed.