They’re not human. But they hunt human women. Not for killing. For mating.
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Day of the Dead is a horror film which is nominally a quasi-remake of George A. Romero’s classic zombie film of the same name, which was the third in Romero’s Dead series. The film is directed by Steve Miner (who also directed Friday the 13th Part 2 & 3 and Halloween H20: 20 Years Later) and written by Jeffrey Reddick.
A soldier from Earth crashlands on an alien world after sustaining battle damage. Eventually he encounters another survivor, but from the enemy species he was fighting; they band together to survive on this hostile world. In the end the human finds himself caring for his enemy in a completely unexpected way.
The Freeling family move in with Diane’s mother in an effort to escape the trauma and aftermath of Carol Anne’s abduction by the Beast. But the Beast is not to be put off so easily and appears in a ghostly apparition as the Reverend Kane, a religeous zealot responsible for the deaths of his many followers. His goal is simple – he wants the angelic Carol Anne.
In the year 10,191, the world is at war for control of the desert planet Dune – the only place where the time-travel substance ‘Spice’ can be found. But when one leader gives up control, it’s only so he can stage a coup with some unsavory characters.
On the surface, Hunter (Haley Bennett) appears to have it all. A newly pregnant housewife, she seems content to spend her time tending to an immaculate home and doting on her Ken-doll husband, Richie (Austin Stowell). However, as the pressure to meet her controlling in-laws and husband’s rigid expectations mounts, cracks begin to appear in her carefully created facade. Hunter develops a dangerous habit, and a dark secret from her past seeps out in the form of a disorder called pica – a condition that has her compulsively swallowing inedible, and oftentimes life-threatening, objects. A provocative and squirm-inducing psychological thriller, SWALLOW follows one woman’s unraveling as she struggles to reclaim independence in the face of an oppressive system by whatever means possible.
A college student who will do just about anything for Internet fame is kidnapped by a fan, and her reluctant roommate is the only one who can save her.
A female doctor struggling to find her daughter after a long lost World War II biological weapon explodes on a U.S. military base in Bulgaria, turning people into mutant zombies.
In this chilling, atmospheric thriller, Katelyn (Lindy Booth) seeks answers about the brutal murder that claimed her mother’s life 20 years ago in the lighthouse where they lived, a crime for which her grief-and-guilt-crazed father has long held the blame. When developers descend on the abandoned lighthouse and begin to vanish mysteriously, Katelyn comes face-to-face with the evil haunts the family’s former abode.
A conman gains the power to see and communicate with ghosts and decides to use it to make money. His happy-go-lucky lifestyle goes for a toss when a ghost who is his look-alike approaches him with an offer.
A team of parapsychologists sets out to investigate a series of anomalous phenomena taking place in a newly occupied apartment. Telephone calls with no caller, mysterious shadows, extraordinary light emissions, flying objects, and exploding light bulbs are some of the events they will face while recording their every step with state-of-the-art technology. Using infrared filming, digital photography, psychophonic recordings, movement detectors, and magnetic field alteration meters, the group’s attempts to contact the “other side” will grow increasingly dangerous as they near a point of no return.
