Outspoken and overly critical Nishant Agarwal meets gorgeous new co-worker, Charu, offers his help, assists her financially, and they become close friends. His room-mates, Rajat and Vikrant, are pleased with this outcome as they already have girlfriends in Neha and Rhea respectively. But both the relationships are not as harmonious, as Rajat feels Neha is self-centered and demanding, while Rhea appears to be withdrawn and aloof. Missing their meetings and bar-hopping, the trio decide to take a time-out and be by themselves. All three women, however, find out and decide to accompany them to the beach where they eventually mingle. The trio do not know that soon misunderstandings will crop up – and it will take a lot of effort and understanding to resolve them.

Shaquille has grown up below the radar and believes that his ticket to a better life lies in throwing a college party. All hell breaks loose as Shaq tries to fix the party–and his future.

A frothy comedy about life in the corporation, about the challenges of building a career and those of consolidating and motivating a team. The film, a satire of corporate life, reveals the events of a team building in which the robotic corporativism unleash themselves and unleash themselves by showing their human side.

A struggling actress and an aspiring playwright pour all of their creative energy into the only paying work they can find: role-playing demonstrations for corporate training seminars. When they book the biggest gig of their careers at a hotel conference, they commence work on their most ambitious production to date.

A group of teenagers in the desert become the prey of cannibalistic inbreds who live in the nearby hillside.

Sometime in the future, mankind has depleted all energy and fuel sources, however they have engineered a way to use human excrement as fuel. To reward production, the government hands out extremely addictive, popsicle-like “Juicybars”, which in turn also act as a laxative. Aachi and Ssipak are street hoodlums who struggle to survive by trading these bars in the black market.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he’s also squatting in the building, since the plant is soon to be demolished and he’ll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette’s romance novel fantasies are a bit off the mark from what Marius has in mind.

Exactly one year after the release of the one man show, “Bo Burnham: Inside” (made in one room, by one person, throughout the pandemic,) comes a series of unseen outtakes, deleted scenes, alternative versions of songs, and new songs unused from the special.

A music-hall star and his best mate are conned out of their earnings (twice!) and left with nothing but a beloved greyhound.

The world goes backwards on Opposite Day. The kids become adults, and the adults become kids.

Ramon is a kind person, he tries to do good things, but he is making them much worse. He is looking for that special person and ends up in Bucharest, were troubles are following him.

A military experiment to create a race of super-warriors go awry, and legions of murderous zombies are unleased upon a surburan neighborhood.