Stanley Ford leads an idyllic bachelor life. He is a nationally syndicated cartoonist whose Bash Brannigan series provides him with a luxury townhouse and a full-time valet, Charles. When he wakes up the morning after the night before – he had attended a friend’s stag party – he finds that he is married to the very beautiful woman who popped out of the cake – and who doesn’t speak a word of English. Despite his initial protestations, he comes to like married life and even changes his cartoon character from a super spy to a somewhat harried husband.
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More than 20 years ago, there were three “Ban Dou” master chefs who dominated the catering business in Taiwan. However, the street banquet business has been in decline since Taiwan’s economic boom. Master Fly Spirit wants to pass the family recipes and culinary skills on to his only child, Wan, but she desperately wants to run away from the family business and to become a film star.
The second in-name-only sequel to the first Meatballs summer camp movie sets us at Camp Sasquash where the owner Giddy tries to keep his camp open after it’s threatened with foreclosure after Hershey, the militant owner of Camp Patton located just across the lake, wants to buy the entire lake area to expand Camp Patton. Giddy suggests settling the issue with the traditional end-of-the-summer boxing match over rights to the lake. Meanwhile, a tough, inner city punk, nicknamed Flash, is at Camp Sasquash for community service as a counselor-in-training where he sets his sights on the naive and intellectual Cheryl, while Flash’s young charges befriend an alien, whom they name Meathead, also staying at the camp for the summer.
A man develops a relationship with a woman who has mysterious supernatural abilities.
Set in the world of 2045, where communities have robotic helpers, a group of suburbanites are locked in for their protection by their household robots, while a rogue, self-aware AI android revolt uprising takes place outside.
Six stoner best friends discover a viral video of a local teen who disappeared years ago from an alleged haunted house in their neighbourhood. Searching for one last adventure before graduating high school, the teens decide to investigate this local urban legend, only to discover this night could be their worst, and possible last, experience of their lives.
Gabriell is a single mother, her 17-year-old daughter Claire is pregnant, however the child’s father Simon has no desire to be involved with his future baby. When Gabrielle takes matters into her own hands and asks Simon’s father Ange for help, an unexpected relationship begins.
The tale of an extraordinary family, the Madrigals, who live hidden in the mountains of Colombia, in a magical house, in a vibrant town, in a wondrous, charmed place called an Encanto. The magic of the Encanto has blessed every child in the family with a unique gift from super strength to the power to heal—every child except one, Mirabel. But when she discovers that the magic surrounding the Encanto is in danger, Mirabel decides that she, the only ordinary Madrigal, might just be her exceptional family’s last hope.
SF stripper Champagne White (multi-hyphenate talent D’Arcy Drollinger) is expecting her boyfriend Rod to pop the question; when he instead tells her of a secret plot involving booty bumps and the world’s largest retail store, it’s up to the intrepid ecdysiast to save the day. With a lo-fi ’70s exploitation film aesthetic and a John Waters-esque sense of the absurd and outrageous, Drollinger adapts his wildly successful stage show for the big screen, featuring extraordinary talent from the world of drag, including Alaska 5000 from RuPaul’s Drag Race.
Martino’s sister, Caterina, can’t work anymore for health reasons and he replaces her as cleaner for dr. Guglielmo Gioia, a mental coach. While the doctor leaves, Martino pretends to be his assistant.
