When Kylie Bucknell is sentenced to home detention, she’s forced to come to terms with her unsociable behaviour, her blabbering mother and a hostile spirit who seems less than happy about the new living arrangement.
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FROM OTHER WORLDS is a sci-fi comedy about a depressed Brooklyn housewife who sleepwalks through her life until she encounters an alien force in her backyard. With the help of a fellow contactee, an African immigrant, she is determined to solve the mystery of her otherworldly experiences. Along the way, she finds romance, saves the planet and finds new meaning in her life.
A girl and her friends find a game in the attic that summons a creature known as The Midnight Man, who uses their worst fears against them.
Aishah (Diana Danielle) is a young woman living during the Japanese Occupation of Malaya, who, after being knocked unconscious while escaping from the clutches of the Japanese Army, wakes up in a quiet, sleepy village, seemingly untouched by the war. The villagers give her shelter and she begins a new life there. But soon it becomes clear that the village hides other secrets as well. Aishah is haunted by the presence of a young deformed girl whom no one else can see and she discovers that an unknown evil lurks in the surrounding woods nearby the village, an ancient creature that makes the villagers its prey, a demon known only as Azazil. The villagers keep an uneasy peace with the demon through offerings but the moment Aishah enters the village, the attacks inexplicably begin again.
A secret organisation offers wealthy people a second chance at life. The customer picks out someone they want to be and the organisation surgically alters the customer to look like the intended person, stages the customer’s death, gets rid of the intended person and the customer takes on a new life.
Jacob is quickly digressing into a state of insanity as Davis and Michael are confronted with a new issue: global disease, which only makes matters worse. In a race against the clock, they see the world fade around them, and letters and envelopes seem to be all that’s left for mankind.
As Alyssa and Karla try to escape from the church home that holds them captive, Karla is slaughtered by a vicious, semi-human creature. After Detective Kimball tracks down Alyssa at a rowdy biker bar, she tells Kimball that women inmates disappear every full moon, and shows him the silver bullets in her gun. Now the two must return to the halfway house to confront the priest and nuns—and the snarling, savage evil—that dwell within.
Widower Cedric Brown hires Nanny McPhee to care for his seven rambunctious children, who have chased away all previous nannies. Taunted by Simon and his siblings, Nanny McPhee uses mystical powers to instill discipline. And when the children’s great-aunt and benefactor, Lady Adelaide Stitch, threatens to separate the kids, the family pulls together under the guidance of Nanny McPhee.
In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.
Orphaned at birth and raised by storks, the teenage sparrow Richard believes he is one of them. But when the time comes to migrate to Africa, his stork family is forced to reveal his true identity and leave him behind in the forest, since he is not a migratory bird and would not survive the journey. Determined to prove he is a stork after all, Richard ventures south on his own. But only with the help of Olga, an eccentric owl with an imaginary friend and Kiki, a narcissistic, disco-singing parakeet, does he stand a chance to reach his goal and learn to accept who he really is.
When a frenzy of five Megalodons torment the open ocean, the stakes have never been higher.
The real-life Chris and Martin introduce each Wild Kratts episode with a live action segment that imagines what it would be like to experience a never- before-seen wildlife moment, and asks, ‘What if…?’
