The seven sisters of the outcast LeFleur family try to survive in a post-Civil War Deep South. The movie was unable to be completed, thus, it may be left to the viewer to imagine the ending to his screeching, sinful epic.
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Thomas Laboss host of “Hard Streets UK”, hits the road interviewing families from differing cultures across the UK, uncovering truths, whilst being his usual exploitative self. But there’s something a bit more sinister about one particular family and he may not get out of this one alive!
In director Baz Luhrmann’s contemporary take on William Shakespeare’s classic tragedy, the Montagues and Capulets have moved their ongoing feud to the sweltering suburb of Verona Beach, where Romeo and Juliet fall in love and secretly wed. Though the film is visually modern, the bard’s dialogue remains.
In the middle of the Mojave desert rests an abandoned phone booth, riddled with bullet holes, graffiti, its windows broken, but otherwise functioning. Its identity was born on the Internet and for years, travelers would make the trek down a lonely dirt road and camp next to the booth, in the hopes that it might suddenly ring, and they could connect with a stranger (often from another country) on the other end of the line. This is the story of four disparate people whose lives intersect with this mystical outpost, and the comfort they seek from a stranger’s voice: There is Beth, a troubled woman facing dilemmas with her love-life and a recurring, baffling crime; Mary, a young South African, who is contemplating selling her body for the funds to escape her dreadful existence; Alex, a woman who is losing her lover, Glory, to the belief she is plagued by aliens, and Richard, driven into desperation by a separation from his wife, who happens upon the booth after his failed suicide attempt.
A deadly nest of spiders lurk in the attic – And the nest is about to be awoken by a news reporter and her colleagues
A wealthy Italian household is turned upside down when a handsome stranger (Terence Stamp) arrives, makes love to every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
Death by 1000 cuts refers to an ancient method of torture in which numerous small cuts were made on a victim’s body. None of the cuts were deadly by themselves, but the combination of them would cause them to die a slow, painful death. In psychology, it refers to small issues that are overlooked until they add up to something too big to ignore. Sometimes I question which version of the phrase is worse.
A young woman’s desperate search for her abducted boyfriend that draws her into the infamous Colonia Dignidad, a sect nobody ever escaped from.
At “Prom,” every couple has a story and no two are exactly alike. As the big dance approaches for Nova Prescott, it’s a battle of wills as she finds herself drawn to the guy who gets in the way of her perfect prom. Fellow seniors Mei and Tyler harbor secrets, while others face all the insecurity and anticipation that surrounds one of high school’s most seminal events.
A sequel to 2004’s Alien vs. Predator, the iconic creatures from two of the scariest film franchises in movie history wage their most brutal battle ever – in our own backyard. The small town of Gunnison, Colorado becomes a war zone between two of the deadliest extra-terrestrial life forms – the Alien and the Predator. When a Predator scout ship crash-lands in the hills outside the town, Alien Facehuggers and a hybrid Alien/Predator are released and begin to terrorize the town.
The virus came so fast no one had time to prepare. Before the day was over, entire towns were decimated, and large cities became monumental tombs. Left with nothing but fading hope and the will to live, reclusive software consultant Michael (Dexter Fletcher) and temperamental mechanic Carl (Dickon Tolson) lead a small group of survivors into the country in hopes of riding out the coming winter. But now the decaying victims of the plague are reanimating, growing more smart and vicious with each passing day. Now, the only hope for the survival of the human race is Phillip (Carradine), a man who refused to leave the city, and has somehow avoided becoming food for the flesh-eating masses.
A quiet, stoic man, lives a monk-like existence in self-imposed exile. When his estranged son is killed in a drug deal gone bad, he is left to look after a granddaughter he never knew existed, and he is forced back into a life he tried to put behind him.