Only the Valiant, a classic western adventure, based on a novel by Charles Marquis Warren, the film tells the story of a Cavalry officer who volunteers for a suicidal mission to fight the hostile Apaches in an effort to prove his loyalty to his men and the woman he loves.

Maria Garcia (Carmen Maura) is a television journalist and she’s about to be a single mother. Her career foremost in her mind, she doesn’t slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she’s not very interested in. It’s not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby’s due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

In the difficult Roman neighborhood of Tor Bella Monaca, Mauro, recently abandoned by his girlfriend, is about to discover whether evil is something one is born being, or one becomes.

Four characters living in one neighborhood in London – all living dramatically different lives, all of them on the edge – see their stories unfold.

Already an outcast for crimes she did not commit, a woman struggling to raise her two children in a small village during World War II is suspected of being a saboteur.

A twisted honeymoon adventure about a young couple on their way to Niagara Falls.

When David Lindholm, Sweden’s most famous police officer, found shot in bed identifies herself quickly with his young wife Julia. Julia is threatened with life imprisonment for murder, both her ​​husband and her missing four year old son Alexander. However, Julia refuse. It was not her. There was another woman who shot her husband and kidnapped her son. While life is falling apart around Annika digs herself deeper into the murdered police’s violent past.

Two brothers get caught up in a bitter battle for honor when they attempt to save their ailing publishing company by having an uncultured but attractive woman pose as the author of an unknown talent’s literary masterpiece.

Years after their teenage daughter’s death, Lois and Doug Riley, an upstanding Indiana couple, are frozen by estranging grief. Doug escapes to New Orleans on a business trip. Compelled by urgencies he doesn’t understand, he insinuates himself into the life of an underage hooker, becoming her platonic guardian.

This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.

After his cousin is shot and killed by a white police officer in Chicago and Black Lives Matter protests spread across the city, a black inner city teen desperately fights for a way out of the most notorious murder capital of America.

Fatu’s father has returned home to Guinea-Bissau from Portugal to attend her wedding. The young woman teaches at the university and her future husband is a well-known musician. Their wedding is supposed to take place in Tabatô, a village where everyone makes music. On the way there, it becomes apparent that the father is seriously traumatised by his experiences as a soldier in the colonial war decades earlier.