The very sad tale of socialite & Warhol muse Edie Sedgwick (1943-1971) who effectively plays herself in a film that follows her life in a large part from the time she left Warhol’s ‘factory’ and what the life of excess drugs did to her sanity. Edie was such a beautiful fragile girl – who finally got her head together and got married (her wedding day video is edited into the end of the movie) but it was too late, her husband woke up on a morning in November 1971, only weeks after filming wrapped, and found her dead beside him. She had died in her sleep from overdosing on her medication she was 28.

Pop superstar Adelaide Kay is so fed up with her controlling manager that she sneaks off the tour bus after their latest squabble. Though exhilarated to be free, she finds herself stranded in the freezing cold of a Pennsylvania winter, with no money and no plan. A local family, the Lapps, take her in. They know the true meaning of the season, even if they’re close to losing their dairy farm. No one in the family recognizes Adelaide except Dillon, the oldest son. He figures she’s the ticket to fast cash and plots to snap photos of Adelaide around the farm and sell them to the tabs. What he doesn’t plan, however, is their mutual attraction.

Unlikely friends in a melting pot of confusion. Simon Murray fights for the French Foreign Legion. Pascal Dupont fights for himself. War torn men question honour, hope, morality…because you can desert everything…except yourself.

Paris, summer 1942. Irene is a young, bubbly, 19-year-old Jewish girl. Her family watches her discover the world, friends, new love and a passion for the theatre. The aspiring actress is living her youthful life without a care in the world, but she does not know that time may be running out.

Clemente Russo portrays himself in the story of a promising boxer who grew up in the Neapolitan mob heartland.

The lines of real life and fantasy begin to blur, as the director starts to suspect that he may only be a character in the story manipulated by the writer in order to get him to direct the play the way she wants, but also to stimulate her creativity.

In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.

When they say “love is blind” they must have been talking about Amy and Ben. Amy is a beautiful young woman with a mysterious past. Ben is a scruffy slacker, whose only ambition seems to be avoiding growing up. However, Amy sees something in Ben that Ben doesn’t see in himself, which gives Ben the confidence to make something of his life. The power of love shows Ben that being a grown-up isn’t such a bad thing after all.

All bets are off when corrupt homicide cop Rick Santoro witnesses a murder during a boxing match. It’s up to him and lifelong friend and naval intelligence agent Kevin Dunne to uncover the conspiracy behind the killing. At every turn, Santoro makes increasingly shocking discoveries that even he can’t turn a blind eye to.

A family living in Marfa, Texas attempts to pull themselves back together after a horrific tragedy. This provocative sequel to Larry Clark’s film Marfa Girl, shows us a group of people ready to escape their current realities – no matter the cost. Gritty, unrelenting and powerful, auteur Clark once again delivers a bleak landscape of sex, drugs and boredom amongst the residents of a dead-end Texas Border town.

An American scholar in Greece sets about improving the local prostitute with whom he is infatuated.

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.