When she finds out what her philandering phone company boss husband has been up to, a feminist plots revenge.
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Also known as THE LONELY DESTINY OF JOHN TRAVOLTO, it’s the first and only Travoltasploitation movie. It’s about a hotel cook named Gianni who can’t dance but is frustratingly in love with the sexy blonde DJ (Cicciolina) at the nightclub “John’s Fever”. When one of the cook’s coworkers draws a mustache and beard on a poster of John Travolta everyone somehow finally notices that Gianni looks exactly like Travolta and the game is on.
Breaking up with Mark Darcy leaves Bridget Jones over 40 and single again. Feeling that she has everything under control, Jones decides to focus on her career as a top news producer. Suddenly, her love life comes back from the dead when she meets a dashing and handsome American named Jack. Things couldn’t be better, until Bridget discovers that she is pregnant. Now, the befuddled mom-to-be must figure out if the proud papa is Mark or Jack.
The 21st successor to the role of Bengalla’s resident superhero must travel to New York to prevent a rich madman from obtaining three magic skulls that would give him the secret to ultimate power.
A young woman is motivated to take her career to the next level by any means necessary all while jeopardizing her seemingly perfect life.
Mrs. Van Houten has shown signs of losing touch with reality, and her husband discusses possible treatment with Dr. Caligari, who says Mrs. Van Houten has a disease of the libido.
Fat Pizza the Film is yet another slice of life at a dodgy suburban Sydney take away. Bobo Gigliotti the psychotic pizzeria owner/pizza chef is awaiting the arrival of his mail-order refugee bride Lin Chow Bang, and a new pizza deliverer is on the block. Channel V’s Jabba almost steals the show as token skip delivery boy Davo Dinkum, a stoner with a bong strapped to his face like a feedbag.
Anne Schuyler is an upper-crust socialite who bullies her reporter husband into conforming to her highfalutin ways. The husband chafes at the confinement of high society, though, and yearns for a creative outlet. He decides to write a play and collaborates with a fellow reporter.
Posehn laments the recent loss of his heroes to death and just generally being horrible people. He also professes re-found love for a certain sci-fi franchise, and manages to rip on a few recent bands like the aging rocker he is. It’s personal, silly, profane, dry and screwed up and sometimes all at once.
When Hanky Pranky (alias Schucks), star of a candid camera TV show, loses his job to affirmative action, he applies for a job at a stress academy. It´s not long before Schucks discovers his new boss, Jack Paddaman, is as crooked as they come, but it´s too late: the employment contract is signed and sealed.A year passes, and Schucks is no better off. However, his candid camera videos, which poke fun at all sectors of post-1994 South Africa, prove a big hit with stressed-out government ministers. When the president asks Paddaman to make a movie to benefit street children, Schucks and his pals do all the hard work while Paddaman plans how he can get hold of the profits from the video sales. Add a scatterbrained secretary, a lovelorn traffic cop and a cunning street child and you have a roll-in-the aisles comedy with a distinctly South African flavour.
Selfish, separated parents Amber and Cameron are forced to put their starry-eyed career ambitions on hold when Amber suddenly finds herself homeless and Cameron begrudgingly agrees to look after their 6-year-old daughter.
