Brothers Dan and Neil Hammond return to Texas after the Civil War. Ambitious Dan turns to rustling and then shady land deals to build an empire. Being held for a murder, he is rescued from a lynch mob by Neil, who is now the Marshal, but there is eventually a falling out between the brothers, good triumphing over evil.
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When the multiple murderer Cain is released from prison after 18 years, he wants to settle down as a rancher and never touch a gun again. But his former life haunts him; not only that nobody wants to give him a job, some villains also want to pay him back. So he has to accept the offer of showman Ruffalo to perform as “Killer Cain” in his traveling shooting show. However after 18 years without practice even Ruffalo’s young assistant Billy shoots better than Cain.
Nevada Smith is the young son of an Indian mother and white father. When his father is killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot and to shoot on time and correct.
Ten years after the natives murdered her family, Iris hires two men to wipe out the whole lot, which happens to now include her sister Cynthia.
When the Scooby gang visits a dude ranch, they discover that it and the nearby town have been haunted by a ghostly cowboy, Dapper Dan, who fires real fire from his fire irons. The mystery only deepens when it’s discovered that the ghost is also the long lost relative of Shaggy Rogers!
Gorgeous IRA operative Maria flees the British authorities and finds herself in Mexico, where she meets a stunning woman also named Maria, a singer in a traveling circus. The new friends start a vaudeville act — one that grows exponentially more popular after they incorporate striptease into their routine. When the singer Maria falls for a charismatic Mexican rebel, the girls leave the circus behind and recreate themselves as wild-eyed revolutionaries.
Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.
Union officer Kerry Bradford escapes from a Confederate prison and races to intercept $5 million in gold destined for Confederate coffers. A Confederate sympathizer and a Mexican bandit, each with their own stake in the loot, stand in his way.
Dorothy, and her big city lawyer boyfriend, return to the Lazy ‘B’ ranch to read her late father’s will. For Dorothy to inherit everything, she must stay on the ranch for 5 years. If she does not, everything goes to Buck, who is the manager. She does not like Buck, so she makes a deal with the wrong people for cattle and then the outlaws go to the ranch to get the $10,000 from her. But Buck is on the job.
Following the surrender of Geronimo, Massai, the last Apache warrior is captured and scheduled for transportation to a Florida reservation. On the way he manages to escape and heads for his homeland to win back his girl and settle down to grow crops. His pursuers have other ideas though.
An army captain in Argentina learns why his lonely men are deserting to an outlaw’s gaucho gang.
A domineering, magnetic rancher responds with mocking cruelty when his brother brings home a new wife and her son, until the unexpected comes to pass.