From Executive Producers Jewel and Deepak Chopra, comes “The Mindfulness Movement,” a feature documentary that examines the growing number of people throughout society who are working to create a healthier, happier world by spreading mindfulness – a peaceful quality of attention anyone can develop by simply focusing on the present moment in a non-judgmental way.

MOURNING IN LOD, takes a microcosmic look at the Israeli-Palestinian conflict through Musa, Yigal, and Randa — three people whose fates become inextricably linked in a vicious cycle of violence. Lod/Lydd is a “mixed” city inhabited by Arabs and Jews who live side by side in a strained coexistence. In May 2021, two of these three people lost their lives and and one regained hers — thanks to an unlikely organ transplant. The outpouring of love, anger, forgiveness and sorrow that follows in their wake is a ray of light that offsets a collective state of mourning with no end in sight.

“Trouble the Water” takes you inside Hurricane Katrina in a way never before seen on screen. The film opens the day before the storm makes landfall–just blocks away from the French Quarter but far from the New Orleans that most tourists knew. Kimberly Rivers Roberts, an aspiring rap artist, is turning her new video camera on herself and her Ninth Ward neighbors trapped in the city. Weaving an insider’s view of Katrina with a mix of verité and in-your-face filmmaking, it is a redemptive tale of self-described street hustlers who become heroes–two unforgettable people who survive the storm and then seize a chance for a new beginning.

Music fans know Maynard James Keenan as the frontman of such bands as Tool, A Perfect Circle, and Puscifer, but in this documentary filmmakers Christopher Pomerenke and Ryan Page offer a closer look at one of the prolific rocker’s more unexpected hobbies — winemaking. Along with his business partner Eric Glomski, Keenan has managed to transform an arid stretch of Arizona desert into a lush vineyard that yields some particularly tasty grapes. Through unguarded conversations with Keenan and Glomski, Pomerenke and Page discover just what got the pair interested in winemaking, and why they chose such a hostile natural environment to serve as the site of their winery.

With nine #1 albums to his name, Jimmy Barnes is one of Australia’s greatest rock icons. But his success masked a life of hardship and abuse, where the music that once saved him from oblivion almost came back to destroy him. Before Jimmy Barnes was Jimmy Barnes, he was James Dixon Swan, a troubled kid from the mean streets of Glasgow – and the even meaner streets of North Adelaide – trying to survive against a backdrop of addiction, alcoholism, poverty and abuse. For Jimmy, escape was the only option and he found it with a band called Cold Chisel. But the rock’n’roll lifestyle has its own temptations and the scars of childhood are always waiting to take you home. Based on the bestselling memoir and directed by veteran Australian filmmaker Mark Joffe, Working Class Boy is both an inspiring story of rock and redemption told in Barnes’ own words and an unflinchingly honest reflection on fame, creativity and depression.

Look around you for items marked ‘Made in the USA’. How many items did you find? Could the loss of manufacturing jobs be a vital reason why our economy is struggling? Does ‘Made in the USA’ mean anything anymore? After witnessing the tragic effects caused by a factory shutdown in his hometown of Ravenswood, WV, Josh Miller takes off across the country for 30 days on an epic journey into the heart of America seeking to discover the answers to these questions.

Cristiano Ronaldo: The World at His Feet follows the footballer from his beginnings in Portugal, breakthrough start with Manchester United and current career at Real Madrid.

Investigative journalist, Nick McKenzie, gets a tip that something bad is going down at a brothel in South Melbourne. It’s a story he knows all too well – Nick reported extensively on sex trafficking of Asian women to Australia a decade ago, blowing open the issue to global audiences. Undercover surveillance suggests that the same notorious players might be back to their old tricks. This raw, gritty observational documentary follows Nick deep into the murky world of brothels, motels, and massage parlours as he attempts to confront the trafficking bosses, hear the stories of survivors, and ultimately compels the government to act on an underreported/ignored crime that is rife on Australia’s shores.

Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South – trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.

Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would.

Cane Toads: The Conquest is a comic yet provocative account of Australia’s most notorious environmental blunder from filmmaker Mark Lewis.Shot against the harsh and beautiful landscape of northern Australia, Cane Toads: The Conquest tracks the unstoppable journey of the toad across the continent. Director Mark Lewis (Cane Toads: An Unnatural History, The Natural History of the Chicken) injects his trademark irreverence and humor into the story as he follows a trail of human conflict, bizarre culture and extraordinary close encounters.Filmed with high-resolution 3D technology, Cane Toads is the first Australian digital 3D feature film.  Custom designed equipment allows viewers to get up close and personal with these curious creatures like never before. The unique viewing experience is like being immersed in the world of the toad.

Maryam Zaree was born in one of Iran’s most notorious political prisons. In her documental debut, she embarks on a personal search for clues: in an effort to break the silence, she talks with her parents about the violent circumstances surrounding her birth. And she asks other children born in Evin about their experiences and the traumatic consequences. Maryam Zaree’s cinematic approach unfolds through her own biography, but beyond this it alerts us to the horrors of persecution and dehumanisation in Iran and the rest of the world.