While attending college in Cape Town, Melea Martin feels constrained by the school’s strict policies, and decides to set out on her own. Searching for a way to use her talents as a dancer and inspire the community around her, Melea rents a failing theater in order to put on a Hip-Hop Romeo and Juliet performance. But much like the Capulets and Montagues, conflicts between cast members threaten to bring the whole performance to a halt…
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Unrest breaks out in eastern Helsinki as a Finnish family man gets hospitalized in the summer of 2015. Gangs of young people are burning down cars and public buildings, confronting the security guards and the riot police. The narrative goes backwards, towards the riots which mark the end of our movie. As the story begins, the unrest is still bubbling under, ready to explode any time. Vandalism and robbery are not uncommon in the suburbs; neither is violence towards the police and the security guards. Frustration, alienation, isolation and poverty corrode the asphalt surface of the multicultured society, otherwise relatively harmonious.
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Fifteen years ago, Ben Walker made a decision to leave his college sweetheart and ultimately his faith, in order to pursue a lucrative business opportunity. Now with a high-paying career and a trophy fiancé, he is visited by an angel, who gives him a glimpse into what his life would look like had he followed his calling.
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Riveting look at the politics, big business and the medical industry that has made America the most prescription-addicted society in the world. America is less than 5% of the World’s population but consumes 80% of the World’s prescription narcotics. We have gone from being the land of the free to the land of the addicted.
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