The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.
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Here comes DEATH’s probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH’s origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light.
Chelsea on the Rocks celebrates the personalities and artistic voices that have emerged from New York’s legendary Chelsea Hotel. Once considered an untouchable, impenetrable tower for writers, artists, musicians and mavericks, it has been recently claimed as a boutique hotel venture for a management company that shows disregard for its formidable history. –Cannes Film Festival
Thirty-five years after it was made, the climatic car chase scene in The French Connection is still jaw-dropping in its suspense and execution. Director William Friedkin recounts how he created one of the greatest action sequences ever.
The origin story behind one of Broadway’s most beloved musicals, Fiddler on The Roof, and its creative roots in early 1960s New York, when “tradition” was on the wane as gender roles, sexuality, race relations and religion were evolving.
An intimate and inspirational portrait of Segway inventor, Dean Kamen, and his 15-year quest to solve the world’s safe water crisis.
A documentary based on the honor, courage and commitment of Navy SEAL LT Michael P. Murphy, who gave his life for his men in 2005 and was posthumously awarded the Medal of Honor in 2007.
The Day the ’60s Died chronicles May 1970, the month in which four students were shot dead at Kent State. The mayhem that followed has been called the most divisive moment in American history since the Civil War. From college campuses, to the jungles of Cambodia, to the Nixon White House, the film takes us back into that turbulent spring 45 years ago.
Film adaptation of French economist Thomas Piketty’s ground-breaking global bestseller of the same name: an eye-opening journey through wealth and power.
Follows the two of the most respected men in underground music, Roger Miret and Vinnie Stigma of the band Agnostic Front.
Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.
In its first 25 years only 10 people have finished The Barkley Marathons. Based on a historic prison escape, this cult like race tempts people from around the world to test their limits of physical and mental endurance in this documentary that contemplates the value of pain.
The film follows Max Stainton-Parfitt, a physically disabled man who sets out to trek to Mount Everest base camp on horseback. As the reality and pain of the trek hits, he is forced to question his original motivations and the meaning behind the journey.