Young mother Sherri Papini disappears while jogging and reappears three weeks later on Thanksgiving Day. She claims that two Hispanic women kidnapped and abused her. Four years later, new evidence reveals that her abduction was a hoax she perpetrated to spend time with an ex-boyfriend.
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Bob Lessing is a successful businessman who becomes amorously entangled with a dangerous and mysterious woman. What Lessing doesn’t realize is that she has been sent by her powerful criminal boyfriend Vic Haddock to collect a large sum of drug money owed to him by Bob’s murdered brother.
Nightmares of the past haunt the beautiful, mysterious Olivia (Suzanna Love), a London resident who begins a passionate affair with American businessman Mike (Easy Rider’s Robert Walker, Jr.). Trapped in a loveless marriage and traumatized by memories of her mother’s brutal murder, Olivia hopes her lover will offer a chance at a new life. However, ghostly voices and brutal murders ignite a fiendish, twist-filled story of double identities, deception, and erotic terror.
Raymond, a young P.I. specializing in divorce, gets too ambitious and takes on a case that involves more than just snapping pictures of cheating couples. While searching for the estranged daughter of a client, Raymond discovers that she works as a stripper whose exploits bring together a desperate collection of lost souls – sucking everyone down a drain of despair, deceit, and corruption.
Mortimer Brewster is a newspaperman and author known for his diatribes against marriage. We watch him being married at city hall in the opening scene. Now all that is required is a quick trip home to tell Mortimer’s two maiden aunts. While trying to break the news, he finds out his aunts’ hobby; killing lonely old men and burying them in the cellar. It gets worse.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
On the sand dunes of her local beach a female jogger returns to the scene of a crime looking for closure.
In Cairo, weeks before the 2011 revolution, Police Detective Noredin is working in the infamous Kasr el-Nil Police Station when he is handed the case of a murdered singer. He soon realizes that the investigation concerns the power elite, close to the President’s inner circle.
The governor of a Mexican state is assassinated. Soon after, junior executive Daryl Chase’s life turns upside down: after he flags a huge transfer of funds from a Mexican account as probably illegal, he’s attacked in his apartment, rescued by a CIA agent, finds his secretary shot dead, and witnesses two cops get killed. He calls the CIA guy who tells him to grab the next train to Mexico. Leaving M
A couple experiences a defining moment in their relationship when they are unintentionally embroiled in a murder mystery. As their journey to clear their names takes them from one extreme – and hilarious – circumstance to the next, they must figure out how they, and their relationship, can survive the night.
