The remarkable story of the legendary Motown Records is told through exclusive interviews with the label’s visionary founder, Berry Gordy, and many of its superstar artists and creative figures, as well as rare performances and behind-the-scenes footage unearthed from Motown’s vaults and Gordy’s personal archives.
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Pop star Leigh-Anne Pinnock confronts her experience as the only black member of Little Mix, and as a black woman in the music industry. She embarks on her own very personal journey to understand how she can use her platform and privilege to combat the profound racism she sees in society around her.
Ever since 17-year-old Rachel Levy, an Israeli, was killed four years ago in Jerusalem by a Palestinian suicide bomber, her mother Abigail has found hardly a moment’s peace. Levy’s killer was Ayat al-Akhras, also 17, a schoolgirl from a Palestinian refugee camp several miles away. The two young women looked unbelievably alike. TO DIE IN JERUSALEM unabashedly explores the Palestinian-Israeli conflict through the personal loss of two families. The film’s most revealing moment is in an emotionally charged meeting between the mothers of the girls, presenting the most current reflection of the conflict as seen thru their eyes.
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The Godfather of electronic music is on a one-way trip to crack America, returning to the studio for the first time in nearly a decade. Android is a celebration of a music-making pioneer and the love story that helped him turn his life around.
Once a symbol of ’60s counterculture and psychedelic drug use, Ram Dass has since become a renowned speaker and author on the topics of aging, spirituality, and overcoming the mistakes of the past. This documentary chronicles his journey from his affiliations with LSD advocate Timothy Leary to his endeavor to continue remaking himself after his stroke in 1997.
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The heroes, heroines and villains of Bollywood cinema act out their parts in the hand-painted, one-of-a-kind movie posters that Sheikh Rehman still makes for an old Hindi movie palace in Mumbai. But modernity is taking over and the audiences that have come in for generations for refuge and entertainment are dwindling. With the theatre facing potential demolition, marketing has turned to more plastic movie posters to lure in more people, replacing the need for Rehman’s original work. But Rehman is still lord and master over his workshop, ignoring the theatre managers’ instructions and bossing around his assistants so that he can paint the perfect movie scene.
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