Hatori Matsuzaki (Mirei Kiritani) is a female high school student. She has a crush on her childhood friend Rita Terasaka (Kento Yamazaki) and believes he will eventually choose her as her heroine, but Rita Terasaka begins dating Miho Adachi. Meanwhile, the most popular male student, Kosuke Hiromitsu (Kentaro Sakaguchi) takes an interest in Hatori Matsuzaki.
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Rihito Sajo, an honor student with a perfect score on the entrance exam and Hikaru Kusakabe, in a band and popular among girls, would have never crossed paths. Until one day they started talking at the practice for their school’s upcoming chorus festival. After school, the two meet regularly, as Hikaru helps Rihito to improve his singing skills. While they listen to each other’s voice and harmonize, their hearts start to beat together.
A young woman despite the best intentions, heedlessly meddles in people’s romantic affairs as she tries to play matchmaker.
A dysfunctional family attempts to work together to support their grandmother during her final days of life
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
Two former nightclub partners are now enlisted in the Army. Sergeant Puccinelli ranks above his former partner, Private First Class Korwin. Puccinelli is desperately trying to get transferred from his dull job to active duty overseas. Meanwhile, all Korwin wants is a pass to see his wife and new baby.
A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.
A high-school senior becomes a target for murder when her clandestine affair with an older lawyer gets out of control.
The McCoys and the Weavers are two feuding hillbilly clans. Elmer Fudd, Peacemaker, attempts to end the fighting; but violence and zaniness win out.
After their father’s death, three brothers and one sister got together to find out how much money they would inherit from their father’s two billion won estate.
Monsieur Hulot, Jacques Tati’s endearing clown, takes a holiday at a seaside resort, where his presence provokes one catastrophe after another. Tati’s masterpiece of gentle slapstick is a series of effortlessly well-choreographed sight gags involving dogs, boats, and firecrackers; it was the first entry in the Hulot series and the film that launched its maker to international stardom.
