Four female climbers face the sporting challenge of a lifetime as they attempt to compete in the first ever Olympic climbing competition at the Tokyo 2020 Olympics. The Wall: Climb for Gold follows four elite climbers, Janja Garnbret, Shauna Coxsey, Brooke Raboutou, and Miho Nonaka, over an extraordinary two years. They battle through Olympic qualifying events to earn their place at Tokyo, then face a gruelling season of competition and training that sees everything put on hold when the Covid-19 pandemic forces the Games to be postponed. As the young women confront their own mental and physical demons en-route to Tokyo, the film reveals an astonishing and inspiring insight into what it takes to be an Olympian and ultimately what it means to be human.

A filmed version of David Byrne’s Broadway show, a unifying musical celebration that inspires audiences to connect to each other and to the global community.

Known for their aggressive nature, exuberance and strength, pit bulls often come with a warning tag. But any ‘dangerous’ dog owner knows that the key to taming the breed is to handle with care, or rather, with proper training, a strong lead and a muzzle in tow. Through an intimate look into the relationships between several canine lovers and their pets, Pitbull reveals that these dogs are not nearly as fearsome as they seem.

Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.

An eccentric Jewish family is thrown into turmoil when two stolen children reappear after 40 years.

A fictionalized biopic of Aline Dieu, a multitalented singer from a musically inclined family.

blur: To The End follows the unique relationship of four friends – and band mates of three decades – Damon Albarn, Graham Coxon, Alex James and Dave Rowntree as they come together to record new songs ahead of their sold-out, first ever shows at London’s Wembley Stadium in 2023.

Billy Hayes is caught attempting to smuggle drugs out of Turkey. The Turkish courts decide to make an example of him, sentencing him to more than 30 years in prison. Hayes has two opportunities for release: the appeals made by his lawyer, his family, and the American government, or the “Midnight Express”.

If you thought TV shows in which audiences and juries judge musical acts were a relatively new phenomenon, you’d better think again. In the 1970s, such “festivals” were incredibly popular in Brazil. They were recorded before a live studio audience, and usually featured a number of elimination rounds. They also formed the springboard for the career of many a big-name star, such as Chico Buarque, Caetano Veloso, Roberto Carlos and Gilberto Gil. Appearing on such a program was no cakewalk, however: audiences could be as wild in their condemnation as in their appreciation of an artist. Extensive archive footage (including performances and behind-the-scenes interviews) from a turbulent final of the Festival of Brazilian Popular Music one evening in 1967 paints a fascinating picture, not only of the transformation of Brazilian music into real “festival” music, but also of a society starting to buck against the yoke of military rule.

Guy Martin wants to build a working replica of a World War One tank, pass his tank driving test and drive the machine at Lincoln’s Remembrance Day parade.

Sometimes it comes in the form of a photograph, a chance encounter on a chairlift, or a glimpse at a mountain never seen before. When combined with motivation, the spark of inspiration becomes a dream, and when pursued gives our lives a new purpose. For 25 years TGR has focused on turning Make Believe into reality, from exploring powder stashes in our backyard playground to first descents on unnamed peaks, the ethos of “live the dream” has defined our adventures. “MAKE BELIEVE” celebrates today’s athletes who have committed to this ethos, the ones who have fallen deeply in love with the mountain life, the people who have chosen to live their lives in a particular way, from inception to reality, the ones who choose to make and believe in their dreams.

An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.