A group of young friends on a camping trip, deep in the South African countryside wake up to discover they have all swapped bodies.
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A French woman mourning over the death of her husband three years prior is courted by a Swedish co-worker.
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son – and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is rescued, given the name Edipo (Oedipus), and brought up by the King and Queen of Corinth as their son. One day an oracle informs Edipo that he is destined to kill his father and marry his mother. Horrified, he flees Corinth and his supposed parents – only to get into a fight and kill an older man on the road…
Bill, a wealthy businessman, confronts his junkie daughter’s drug-dealing boyfriend; in the ensuing argument, Bill kills him. Panic-stricken, he wanders the streets and eventually stops at a bar. There he runs into a drunken factory worker named Joe, who hates hippies, blacks, and anyone who is “different”, and would like to kill one himself. The two start talking, and Bill reveals his secret to Joe. Complications ensue.
Eighties teenager Marty McFly is accidentally sent back in time to 1955, inadvertently disrupting his parents’ first meeting and attracting his mother’s romantic interest. Marty must repair the damage to history by rekindling his parents’ romance and – with the help of his eccentric inventor friend Doc Brown – return to 1985.
After an acclaimed, extended run on Broadway, comedian Alex Edelman brings his solo show to HBO in an all-new comedy special. In the wake of a string of anti-Semitic threats pointed in his direction online, Edelman decides to go straight to the source; specifically, Queens, where he covertly attends a meeting of White Nationalists and comes face-to-face with the people behind the keyboards.
Unemployed and recently dumped, Mitch and his buddy Sam start a revenge-for-hire business to raise the $50,000 that Sam’s father needs to get a heart transplant. The dirty duo brings down a movie theater manager and hires hookers to pose as dead bodies during a live TV ad. When a wealthy developer hires the guys to trash a building (so that he can have it condemned), problems arise and a feud ensues.
When Eva gets involved in a steamy threesome with a houseboy and her lady boss, she realizes she has to choose only one between them.
After finding out her business partner and his fiance bet that she canandapos;t find love, an offbeat entrepreneur does what it takes to prove them wrong.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
Mata, Missy and Makareta. Three cousins. Three lives. Separated by circumstances, yet bound together by blood. Orphaned Mata believes she has no whanau and lives out her lonely childhood in fear and bewilderment. Back home on the land, educated Makareta flees an arranged marriage to study law and begin the search for her missing cousin. She leaves behind cheeky yet dutiful Missy who takes on her role of kaitiaki (guardian) of the land. As the years pass, loss of the family land seems imminent and the women’s promise to bring their stolen cousin home seems more unlikely than ever, until a chance encounter changes everything.
