Brian’s mother dies and is surprised when he inherit’s The Sanctuary, her controversial experimental treatment center for addictions. When he and his friends are shown around the dilapidated building by a mysterious employee, it is clear that there is a sinister mood. Despite this the group enters a secret underground passage and the terrible reality is revealed. Brian’s mother had built a revolutionary machine that cured people of their addiction, but as a side effect to materialize the addictions in a mutated form of children who are addicted to human flesh which have moved into the building.
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This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.
A plot to overthrow the United States government is uncovered in New York City in the summer of 1919 when William Flynn, a field agent for the Bureau of Investigation, is sent to investigate a bomb threat that has targeted some of America’s most powerful politicians and leaders of commerce, New York millionaire John D. Rockefeller, Sr. among them. Flynn’s investigation takes him on a journey into the underworld of homegrown terrorism and introduces him to a competitive culture of violence and murder. Greed, power, and politics are at the center of the story and Flynn must distinguish the villains from the merely discontented. Along the way, he discovers that terrorism has many faces and that a determination of guilt or innocence often lies in the psychology of fear that constricts individuals at every level of society. Sedona International Film Festival.
6 models arrive at a warehouse to audition for a fashion show being hosted by the biggest talent agency in the city. Little do they know, the MC hosting the audition knows their innermost demons and intends to judge them for past sins.
Models staying in a secluded house for the night are terrorized by intruders.
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