Remember that really cute guy who said he’d call – and didn’t? Maybe he lost your number. Maybe he’s in the hospital. Maybe he’s awed by your beauty, brains or success. Or maybe… he’s just not that into you.
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After finishing the open examination for Form 5 students and applying for an adult identity card, Yoyo, eighteen, departs for London to meet a guy introduced by her well-meaning parents in Britain. The guy, named Cheung, is in his thirties. Yoyo’s and Cheung’s grandfathers were wartime buddies. They swore to have their unborn babies get married when they grew up. However, the babies turned out to be both women. The two women are now mothers. They come across each other again and want to make their fathers’ wish come true, so they arrange for Yoyo and Cheung to meet in London. Yoyo and Cheung promise to get marry in order to please their mothers. But on the wedding day, they also sign a divorce agreement which is effective one year after their marriage.
Petr and Hana, who after years together share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into experimentation with a non-monogamous approach to their relationship.
Elle Woods has it all. She’s the president of her sorority, a Hawaiian Tropic girl, Miss June in her campus calendar, and, above all, a natural blonde. She dates the cutest fraternity boy on campus and wants nothing more than to be Mrs. Warner Huntington III. But, there’s just one thing stopping Warner from popping the question: Elle is too blonde.
A struggling waitress, straddling the edge of drug addiction, gets a reality call when the daughter that she gave up at birth reappears.
Zhi, a rookie race car driver, gets the opportunity to compete against the reigning champion of the rally car circuit. With help from a former driver-turned-mechanic, Zhi must overcome treacherous terrain, rival racers, and unexpected obstacles to prove he has what it takes to be the next great racer.
Molly (Martha O’Driscoll), her brother, Slats (Abbott), and his pal, Oliver (Costello), are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby’s progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school’s mortgage if Molly isn’t expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.
Romeo and Juliet has never been more provocative than in this contemporary all-boy staging. Writer/director Alan Brown transfers the setting from fair Verona to a high school military campus where a small group of boys from rival schools act out the tragedy in real life. This bold adaptation eschews convention and challenges common perceptions of masculinity, gay youth and the military. Anchored by solid performances, the film balances the tough dialogue, tender romance and unique setting with an erotic rhythm and a few surprising twists.
Modelo Prison. Barcelona, 1977. Manuel, a young accountant, imprisoned and awaiting trial for embezzlement, faces a sentence of 6 to 8 years, a disproportionate punishment for the crime committed. Together with his cellmate Pino, he joins forces with COPEL, a collective fighting for the rights of ordinary prisoners and amnesty. A war for freedom breaks out that will bring the Spanish prison system to its knees. If things are changing outside, they’ll have to do the same inside. A tale of friendship, solidarity and freedom, inspired in true events.
David Hyde Pierce, playing an alien (credited as infinity-cubed in the opening credits), narrates a courtship in a late-20th century American city as an extraterrestrial nature documentary. The relationship “footage” is played straight, while the voice-over (with its most often wildly inaccurate theories) and elaborate visual metaphors add comedy.
Sweden, 1849. A poverty-stricken family decides to move to America in the hope of finding a better and more prosperous life. Although they know the journey will be dangerous and the pressure of facing a new life in a strange and wild land is great, they are determined to succeed.
The story of several friends in New York City facing financial poverty, homophobia, AIDS, and, of course, rent.