Dylan Berrick is the polished and skillful Overnight Manager of the Century Grand, one of the most classy and upscale hotels in the city. After a shocking night, when a woman named Holly is nearly beaten to death in the hotel by her boyfriend Davis, Dylan takes it upon himself to seek out Holly and become her savior, rescuing her from the drug underworld that he himself is familiar with.
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Muggy heat, small-town bleakness, unspoken social problems, hierarchy fights. This is Tuzko town, somewhere in Hungary, nowadays. Here comes Misi who inherits his grandfather’s house and his property. Misi is a disillusioned, frustrated, constantly refugee young man. He can’t find his role in his life, his job and relationship. He starts to build and renovate the house with some men from the town, but it violates the local oligarch’s interests. Hard struggle begins for the property, for the love and for the life.
A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister’s lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend’s wife; and two friends make a pact to find out what happens after death.
While visiting a massacre memorial, a photographer finds herself drawn to a local woman. But their romance stirs up painful memories of a shared past.
Anthony ‘Blest’ (Mark Webber) is one of the most talented and notorious graffiti artists in New York City. Despite the tragic loss of his older brother during a nightly ‘bombing’ foray with a graffiti crew, Anthony has the same insatiable addiction. With the other members of his ‘crew,’ Anthony parties, shoplifts spray-paint and ‘tags’ virgin walls with his signature ‘Blest.’ He does his best to avoid run-ins with the cops and hostile rival crews, but he can’t avoid the pressure from his mother to attend college, and from his girlfriend to leave New York with her. As tensions rise, a physical threat from the cops causes the crew to intensify their bombing excursions, calling an all out war on the city. When the inevitable confrontation happens, a tragedy results that pushes Anthony to make a decision that has even darker consequences.
A private eye hired to kill a man’s wife warns her instead and then finds both are impostors.
A robot messenger is sent to earth to appeal to humans to live in peace. Originally designed to go to MIT, by mistake she ends up in Amman, Jordan during the Black September riots of 1970. Sullivan, a British journalist, comes to her aid when she is found wandering without papers following a bombing and grants her refuge in his hotel room. But there she tells him she is a robot, sent as a peace envoy from another planet. He is not sure whether to believe her story or not, but finds her unusual view of the world appealing. They examine the human condition in a series of incredibly insightful and entertaining conversations.
A gangster takes a doctor and his family hostage.
An overachieving executive quits her job just before Christmas and goes to her father’s country inn to try to find some balance again.
Cursed by mischievous deities with a sleep-inducing kiss, Sangui sets out on a journey to find a cure and his long-lost love in Liu Siyi’s debut feature, a distinctive, whimsical and romantic fantasy.
“Laura Smiles” is an alarmingly effective portrait of a woman’s mental breakdown. We are introduced to “Laura” at her happiest time, in a warm, loving relationship with her fiancé (a very appealing Kip Pardue) in the city, literally the love of her life. In flashbacks, we then see the sweet development of this relationship out of order as these moments become brightly lit and colored memories that desperately intrude on her later in life, as she becomes consumed with guilt and remorse over his fate. These feelings start to overwhelm her current life as a wife and mother. As something inconsequential in what she calls her “suburban drudgery” triggers the past — in the supermarket, cooking, cleaning, at a school play– she acts out increasingly aberrantly to counteract the feelings they generate, especially when she can no longer distinguish past from present from dreams, recalling Blanche Du Bois.
