A hearing-impaired woman with dreams of becoming a professional boxer due to the pandemic is threatened closure of her boxing club and the illness of its ageing president, who has been her biggest supporter, push her to the limit.

“In the Shadows” slithers through underworld Berlin in grand style. En route to a twisty finale, German writer-director Thomas Arslan keeps his audience glued to the increasingly desperate actions of Trojan, a thirtysomething career criminal whose latest job slowly catches up with him.

After burying their father earlier during the year, two sisters have to make Christmas happen without falling in an argument. An unexpected twist will arrive at the festivities.

After the mysterious disappearance of his depressed wife, a man dealing with alcoholism seeks revenge by killing a bigfoot creature and escaping the wilderness alive as he deals with his own insanity and the wrath of other creatures.

Michelle wakes from an accident with no memory, then she has nightmares and people around her die.

Toronto-based documentary filmmaker and cinematographer Nicholas de Pencier (Four Wings and a Prayer, Watermark) examines the complex global impact that the internet has had on matters of free speech, privacy and activism.

Internationally acclaimed ventriloquist Nina Conti, takes the bereaved puppets of her mentor and erstwhile lover Ken Campbell on a pilgrimage to ‘Venthaven’ the resting place for puppets of dead ventriloquists. She gets to know her latex and wooden travelling partners along the way, and with them deconstructs herself and her lost love in this ventriloquial docu-mocumentary requiem. Ken Campbell was a hugely respected maverick of the British Theatre, an eccentric genius who would snort out forgotten artforms. Nina was his prodigy in ventriloquism and has been said to have reinvented the artform. This film is truly unique in genre and style. No one has seen ventriloquism like this before.

Three good old friends reunite in Berlin for a party reminiscent of their studies. It quickly becomes apparent how much their lives have changed in just 5 short years. A harmless prank ends in murder and the other two are left scrambling for a plan to dispose of their friend’s body. An uncertain journey through the night of Berlin puts what’s left of their friendship to the test.

George, a lonely and fatalistic teen who’s made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.

The heroes in The Black Godfather are members of an African-American criminal organization. Like Brando in The Godfather, they’re not averse to robbery and murder, but they do draw the line at narcotics. When the Mafia infiltrates the ‘hood with dangerous drugs, the Black Godfather (Rod Perry) orders his minions to put an end to this perfidy.

A womanizer meets his match when he falls for the daughter of a gambling addict who is in debt to the mob.

Not being able to stand his drunken father and stepmother any longer, Tsog runs away from home and hides on the roof of an apartment building in the city. One day, he is mesmerized by Anu, a beautiful woman who lives on the top floor of the apartment building across from him. He buys a remote control to start watching her TV, and it makes the physical space between Tsog and Anu disappear. Well, at least it does in Tsog’s imagination. He comes to think about what the world would be like if he could change it with the touch of a button. The difference between ideals and reality is also seen through Tsog and Anu’s dream of flying and fear of heights. And Anu’s belief that she could overcome her fear if only she had someone to fly with runs an interesting parallel with Tsog’s loneliness from being estranged from his family.