A chronicle of the worldwide travels and unique cultural finds of renowned American folklorist Henry Glassie.
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HAUNTERS is a heart-warming and heart-stopping documentary about people who sacrifice everything to create the most popular and polarizing haunted houses for Halloween – from boo-scare mazes to a controversial new subculture of extreme terror experiences.
An alarmingly disproportionate number of Black women are failed every year by the U.S. maternal health system. Shamony Gibson and Amber Rose Isaac were vibrant, excited mothers-to-be whose deaths due to childbirth complications were preventable. Now, their partners and families are determined to sound a rallying cry around this chilling yet largely ignored crisis.
The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael (The New Yorker) called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, FIDDLER’S JOURNEY TO THE BIG SCREEN captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. Oscar-nominated filmmaker Daniel Raim puts us in the director’s chair and in Jewison’s heart and mind, drawing on behind-the-scenes footage and never-before-seen stills as well as original interviews with Jewison, Topol (Tevye), composer John Williams, production designer Robert F. Boyle, film critic Kenneth Turan, lyricist Sheldon Harnick, and actresses Rosalind Harris, Michele Marsh, and Neva Small (Tevye’s daughters). The film explores how the experience of making Fiddler deepened Jewison as an artist and revived his soul.
With a rare gift for unflinching impartiality, director Arthur Dong delves into the lives and attitudes of fundamentalist families who actively oppose homosexuality, despite having gay offspring themselves.
No clothes. No apologies. This film marks artist Spencer Tunick’s third ‘Naked’ documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick’s camera, creating an unsentimental look at life with AIDS in America today.
A young gay Romani couple from a remote village in Hungary has a dream so absurd that it seems impossible: making a musical film based on their lives.
Lift shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City and the mentor that inspires them.
Envoy: Shark Cull is a fascinating, deeply moving documentary narrated by Eric Bana, which sheds light on the real story behind the coastal ‘shark safety’ programs in Queensland and New South Wales. The current methods of baited drum-lines and nets have not only been scientifically proven to be ineffective in protecting swimmers and surfers, leaving them at risk in the sea, but these outdated solutions continue to be allowed to negatively impact entire marine ecosystems—including the Great Barrier Reef. Follows some of the biggest names in ocean conservation, such as Sea Shepherd, Ocean Ramsey and Madison Stewart. We will join these experts as they explore and expose this scarcely understood topic. We will also learn the importance of sharks in our oceans while uncovering the longest marine cull in history.
A vinyl fanatic becomes haunted by a lost singer’s voice after discovering an incredible junk shop record. He embarks on a surreal adventure with the help of psychics, private investigators and a ghost hunter.
A documentary that explores the range of experiences lived by transgender Americans.
A look at the career of Jeremy Clarkson and the many controversies surrounding him.
Filmmaker Alyssa Bolsey stumbles on a treasure trove of vintage cameras, old film reels, fading photos, technical drawings and boxes of documents that belonged to her great-grandfather Jacques Bolsey. Among the many boxes, she spots an old movie camera with the word “Bolex” embossed on its side and a dangling tag with the date, “1927.” Entranced, she embarks on a journey to reveal how Jacques aimed to disrupt the early film industry with a motion picture camera for the masses.