When their city is rocked by a series of brutal occult murders, veteran detective John Locke and his young partner Terri Keyes are forced to put aside their differences and follow the trail of evidence to a formerly abandoned asylum, where the new owner Dr Unnseine is conducting his own brand of Nazi-inspired “medical research” on the unwilling inmates. One such inmate, the sexy but deadly Annie Dyer, may hold the key to the murders – and to the doorway to Hell itself – if only Locke and Keyes can stay alive long enough to discover what it is.
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Man and Woman are reunited after a long time. Sorrow and desire cannot break the silence. But that’s okay: when words don’t come, it’s the body that speaks.
With nowhere else to hide, a group of mercenaries and their prisoners take cover inside a long abandoned Bulldog tank. But, while they try to keep the forces outside at bay, the real enemy is already among them, locked inside the ‘Belly of the Bulldog’. After collaborating closely with Ben Wheatley on FREE FIRE, HIGH-RISE, A FIELD IN ENGLAND and KILL LIST, director Nick Gillespie makes his feature debut.
Passed the Door of Darkness: Two young children dead, floating face down in their family’s bathtub. Their mother, shot in the back of the head, lies next to the tub in a pool of her own blood. On the floor slumped against a blood covered wall is her husband, dead of a self-inflicted gunshot wound to the head. For rookie Homicide Detective Chris Malloy this grisly scene is more than he expected to see in his first week of working the graveyard shift. For his partner, grizzled yet poetic Detective Murphy MacCasey, this is but one tragedy among countless in his fifteen years in homicide. They haven’t seen anything yet.
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