Ten lost souls slip in and out of one another’s arms in a daisy-chained musical exploration of love’s bittersweet embrace. A film adaptation of Michael John LaChiusa’s celebrated musical, originally based on Arthur Schnitzler’s play, La Ronde.
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The film wryly expresses the changes in hierarchy, caste and the power equation when water, the most important resource, vanishes and how the oppressed become the oppressors. The story is told through two villages which were split based on caste and money but never through water. In the current situation, through reversals of fortune, the old world order has been broken and water becomes the biggest game changer. It has a domino effect on everything from social order to economics, even love and marriage. The film takes a satirical look at respect for resources, caste divides, and rural life against the backdrop of a traditional love story but all set in a realm where water is the new currency.
Dhruv, a goodhearted but complacent wildlife researcher from the city, is faced with the task of conducting a ‘mammal survey’ of the 600-square-kilometre Kodaikanal Wildlife Sanctuary in Tamil Nadu. Armed with 40-year-old maps of the area and a GPS device, he must navigate the park on foot and he recruits a local tribesman from the area – Dorai, to serve as his guide. The severity of the task immediately becomes apparent to Dhruv. Aside from the physical challenge posed, he struggles with his wayward assistant. Not only is Dorai addicted to alcohol, but he also appears to be terrified of officials and uniforms. Through the course of their journey, however, the two forge an unlikely friendship and a relationship between equals. When an accident takes him to Dorai’s village, the wool of ‘civilisation’ is lifted from Dhruv’s eyes and his attitudes towards the marginalised are transformed.
Based on true events of the late 60s in Italy, poet, playwright and myrmecologist Aldo Braibanti is prosecuted and sentenced to prison for the love he shares with his barely-of-age pupil and friend, Ettore. Amidst a chorus of voices of accusers, supporters and a largely hypocritical public, a single committed journalist takes on the task of piecing together the truth, between secrecy and desire, facing suspicion and censorship in the process.
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While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.
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