Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She’s also the object of the attentions of Mabry, a gunslinger who’s owed money by the richest man in Bonanza. Complications arise and the troupe heads for Bonanza, through hostile Indian territory. Is the troupe doomed to a peripatetic life, is Mabry in danger, and does Tom stand a chance with Angela, a hellion in pink tights?
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When Jarah loses her husband, her child, her land and her innocence she embarks on a brutal journey of of retribution and revenge that transforms into redemption and reconciliation.
The Gunfight at the OK Corral only happened once, but has been tirelessly recreated in films, television shows and western towns ever since. No one has a monopoly on truth, and in Tombstone Rashomon, the truth is shared by six conflicting, yet historical perspectives. In doing so, the film’s narrative becomes prismatic and the result is perhaps the most comprehensive telling of the most important gunfight in American history. This is the Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan.
When his young son is shot, John Wellington kills the culprit and flees. But his son Johnny recovers and is raised by Sir George. Some twenty years later Johnny sets out to find Sir George’s missing granddaughter.
A young cavalry doctor treats very sick Indians against orders, whom are forced to stay on unhealthy land, which could lead to a war.
Charlie Anderson, a farmer in Shenandoah, Virginia, finds himself and his family in the middle of the Civil War he wants nothing to do with. When his youngest boy is taken prisoner by the North the Civil War is forced upon him.
A group of unlikely travelling companions find themselves on the same stagecoach to Cheyenne. They include a drunken doctor, a bar girl who’s been thrown out of town, a professional gambler, a travelling liquor salesman, a banker who has decided to embezzle money, a gun-slinger out for revenge and a young woman going to join her army captain husband. All have secrets but when they are set upon by an Indian war party and then a family of outlaws, they find they must all work together if they are to stay alive.
Django returns home to find out that his father has been killed, by local bandits, in a business deal gone wrong . He swears revenge and a mixture of lone gun men, gang members and bandits get involved with the search for a pouch of money, missing from the ill-fated deal.
Only the Valiant, a classic western adventure, based on a novel by Charles Marquis Warren, the film tells the story of a Cavalry officer who volunteers for a suicidal mission to fight the hostile Apaches in an effort to prove his loyalty to his men and the woman he loves.
Jim Harvey is hired to guard a small wagon train as it makes its way west. The train is attacked by Indians and Harvey, hoping to persuade Aguila, the chief, to call off the attack due to Harvey’s having saved his son’s life, leaves the train to negotiate. He is captured and the rest of the train is wiped out except for two sisters. Escaping and showing up in town later, Harvey is nearly hanged as a deserter, but gets away. Eventually caught by the sheriff and his posse, they are attacked by Indians. This time the Indians are defeated and Aguila, captured and dying, reveals the identity of the white man who engineered the initial attack on the wagon train, just as the perpetrator rides up behind them.
Set in early 19th century Romania, a policeman, Costandin, is hired by a nobleman to find a Gypsy slave who has run away from his estate after having an affair with his wife.
After Celia’s father dies, a war erupts over control of his land.