A young reporter falls prey to a mysterious ailment after investigating an abandoned house; a place known for tales of missing children and possible cannibalism where local teens dare each other to sneak in and poke around. As the reporter digs deeper and her friends venture out to search the house on their own, she discovers a connection to the legend of Hell Mountain and her own cloudy past.
You May Also Like
Jody Ann Howells, a survivor of the Still Rivers Massacre now working in Bail Enforcement, is on the trail of her latest perp, a young woman who is on the run after being found on the scene of a horrific murder, a young woman who may be connected to her past. As Howells closes in on her she discovers that the killer she faced all those years ago may still be alive and kicking and he has his sights on a family making a cross country road trip, only this time he’s not alone.
Suffering from writer’s block and some curious ailments, Reiko (Nakatani Miki) moves to a countryside villa at her editor’s (Nishijima Hidetoshi) beckoning to quietly work on her next novel. Her new environment turns out to be anything but peaceful though when she sights her next door neighbor, professor Minoru Yoshioka (Toyokawa Etsushi), surreptitiously moving a thousand-year-old mummified corpse into his university lab for research. Though Reiko and Yoshioka get off to a bumpy start, the two grow closer over time, enough so that Reiko eventually agrees to hide the mummy in her home. But the mummy isn’t the only unlikely guest in her walls, as a female ghost also lurks disturbingly in the background. At first seemingly a quick trick of the eye, she grows clearer and more distinct by the day.
Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.
When a spirit medium is called to exorcise a demon from a possessed man, he is unknowingly captured in the act by two students looking to document the process. When the students accidentally release the devil fish demon into the world, it is up to them and the spirit medium to send it back to the hellish world from where it came.
The timid, young Asuka is bullied by her classmates. When they embark on a class field trip to Korea, Asuka plans revenge by sending them a cursed phone message they can either pass on or die.
Five years after a zombie outbreak, the men and women of R-Division hunt down and destroy the undead. When they see signs of a second outbreak, they fear humanity may not survive.
Two young business partners are invited to a week-long yachting voyage with a potential investor. At night, Jennifer’s dreams begin to bleed into reality as the others realize that Jennifer may have unknowingly brought something on-board.
Anna returns home after spending time in a psychiatric facility following her mother’s tragic death and discovers that her mother’s former nurse, Rachel, has moved into their house and become engaged to her father. Soon after she learns this shocking news, Anna is visited by her mother’s ghost, who warns her that Rachel has evil intentions.
In the sleepy suburbs of Miami, seemingly normal Egyptian immigrant Fuad Ramses (Mal Arnold) runs a successful catering business. He also murders young women and plans to use their body parts to revive the goddess Ishtar. The insane Ramses hypnotizes a socialite in order to land a job catering a party for her debutante daughter, Suzette Fremont (Connie Mason), and turns the event into an evening of gruesome deaths, bloody dismemberment and ritual sacrifice.
Helpless to stop a thief from stealing his father’s modest nest egg, Travis grows up blaming himself for his parents’ suicide. Becoming a priest who operates a highway confessional with his ambivalent brother, Michael, he offers sage advice to chosen sinners while raining death on unrepentant thieves. Into the world of this antagonistic duo comes Mary Francis, a deranged young woman with psychopathic tendencies who kills a thief who threatens to expose the decidedly un-holy siblings. Filled with gratitude, Travis invites the woman into their sacred world which begins a chain of carnage-laced events that threaten to destroy the brothers’ bloody, decades-long partnership.
After failing to kill stubborn survivor Laurie and taking a bullet or six from former psychiatrist Dr. Sam Loomis, Michael Myers has followed Laurie to the Haddonfield Memorial Hospital, where she’s been admitted for Myers’ attempt on her life. The institution proves to be particularly suited to serial killers, however, as Myers cuts, stabs and slashes his way through hospital staff to reach his favorite victim.